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Record W2734859346 · doi:10.3138/ngcr.8.006

Modernism Comes to Canada: A Note on the Reception of Modern British and Canadian Painting in the Wake of World War I / L’avènement du modernisme au Canada : Note sur la réception de la peinture moderne britannique et canadienne au lendemain de la Première Guerre mondiale

2017· article· fr· W2734859346 on OpenAlex
Robert Stacey

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueNational Gallery of Canada Review · 2017
Typearticle
Languagefr
FieldArts and Humanities
TopicHistorical Art and Culture Studies
Canadian institutionsnot available
Fundersnot available
KeywordsExhibitionModernism (music)WindsorArt historyPaintingWorld War IIArtSpanish Civil WarFirst world warHistoryMedia studiesSociologyHumanities

Abstract

fetched live from OpenAlex

This article relates to Stacey’s interest in the various travelling Canadian War Memorials exhibitions of the late 1910s and early 1920s. Stacey had hoped to publish “Modernism Comes to Canada” in a special Canadian issue of the Oxford Art Journal, which was edited by Robert Linsley, a former student of John O’Brian’s, professor of art history at the University of British Columbia, but it never appeared in print. The article grew out of research materials amassed by Stacey while working with curator Catherine Mastin for the exhibition A Talented Intruder: Wyndham Lewis in Canada, 1939–1945, held at the Art Gallery of Windsor, Ontario, in 1992. Stacey was particularly interested in a work by Wyndham Lewis (1882–1957) done for the Canadian War Memorials and exhibited in Canada after the end of the First World War.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.787
Threshold uncertainty score0.998

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0030.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0000.000
Science and technology studies0.0010.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.017
GPT teacher head0.238
Teacher spread0.221 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it