MétaCan
Menu
Back to cohort
Record W2736165569 · doi:10.18192/rceh.v41i1.2047

Baroque Science Fiction in Cervantes: A Proposal

2016· article· es· W2736165569 on OpenAlexaffvenue
Bradley J. Nelson

Bibliographic record

VenueRevista Canadiense de Estudios Hispánicos · 2016
Typearticle
Languagees
FieldArts and Humanities
TopicCinema History and Criticism
Canadian institutionsUniversity of Ottawa
Fundersnot available
KeywordsHumanitiesPhilosophyBaroqueArtLiterature

Abstract

fetched live from OpenAlex

Este ensayo propone delinear un concepto de ciencia ficción barroca,partiendo del pensamiento de Luis de Molina, Bruno Latour y WilliamEgginton. La idea principal es enseñar cómo estos pensadores de latemprana y tardía modernidad privilegian la realidad de las acciones yelecciones discursivas de actores concretos con el fin de contrarrestar lasmaneras en que la física moderna y la metafísica escolástica erigen unadistinción entre el conocimiento científico y una realidad estable, peroinaccesible, a la cual se dirige y se refiere el conocimiento científico. Demanera similar, el desafío que presenta Cervantes gira en torno al hecho deque no haya ningún terreno epistemológico u ontológico exterior a su ficciónen donde se pueda juzgar con certeza los mundos y performances expuestosen las dos últimas piezas de las Novelas ejemplares, “El casamientoengañoso” y “El coloquio de los perros”. Al contrario, encontramos diversasperspectivas o aspectos según los cuales se ve y se mide la falta que subyace ymotiva toda la acción y su expresión y exposición. Latour llama estosaspectos modos (“modes”), cada uno de los cuales se define como unapostura en vez de un paradigma epistemológico.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.004
metaresearch head score (Gemma)0.008
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: Theoretical or conceptual
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.012
Threshold uncertainty score0.053

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0040.008
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.001
Bibliometrics0.0030.002
Science and technology studies0.0080.027
Scholarly communication0.0100.011
Open science0.0020.007
Research integrity0.0090.007
Insufficient payload (model declined to judge)0.0120.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.016
GPT teacher head0.234
Teacher spread0.218 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designTheoretical or conceptual
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations9
Published2016
Admission routes2
Has abstractyes

Explore more

Same venueRevista Canadiense de Estudios HispánicosSame topicCinema History and CriticismFrench-language works237,207