EL PLACER DE LO PARECIDO..., MUESTRA DE ARTE EN TIJUANA
Bibliographic record
Abstract
DESPUES DE SER EXHIBIDA EN LA CANCILLERIA DE MEXICO, EN MONTREAL; EN LA ESCUELA DE EXTENSION DE LA UNAM, EN QUEBEC, Y EN INSTITUTO CULTURAL DE MEXICO, EN WASHINGTON, LA EXPOSICION EL PLACER DE LO PARECIDO, SIGNOS Y MET FORAS -SELECCION DE OBRAS CONTEMPOR NEAS DEL MUSEO UNIVERSITARIO DE CIENCIAS Y ARTE, MUCA CAMPUS- SE PRESENTA HASTA 19 DE MARZO EN CENTRO CULTURAL TIJUANA, UBICADO EN PASEO DE LOS HEROES Y CALLE JAVIER MINA, ZONA RIO, EN TIJUANA, BAJA CALIFORNIA, MEXICO. INTEGRADA POR 10 OBRAS DE ARTISTAS DE DIVERSAS NACIONALIDADES COMO HELEN ESCOBEDO, FABI N UGALDE, DENNISE OPPENHEIM, DANIEL GUZM N, CHIHIRO SHIMONTANI, VICENTE ROJO, FRANCISCO GALLARDO, FELIPE EHRENBERG, FERNANDO VILCHIS Y OISHI KASUYOSHI, EL PLACER DE LO PARECIDO... ES PRODUCTO DE UN PROCESO INTERPRETATIVO QUE INVOLUCRA DE MANERA ESTRECHA LA LABOR CURATORIAL Y MUSEOGR FICA, DESDE LA GESTION DEL PROYECTO HASTA SU CONCRECION DEFINITIVA EN ESPACIO. LA PROPUESTA MUSEOGR FICA SE ENFOCA EN UNA INTERVENCION DE TIPO GR FICO: CON UNA SERIE DE ICONOS Y PICTOGRAMAS EN VINIL DE CORTE COLOCADOS A MANERA DE CENEFA EN TODO PERIMETRO DE LA SALA, SE INTENTA PROVEER DE HERRAMIENTAS AL ESPECTADOR PARA QUE ESTE PUEDA ESTABLECER ANALOGIAS ENTRE OBRA Y LOS DIFERENTES SIGNOS QUE LA ACOMPANAN. ADEM S DE PINTURA, ESCULTURA, INSTALACION Y GRABADO, LA EXPOSICION INTEGRA MATERIAL HEMEROGR FICO DE TIBOR KALMAN Y NET ART DE RICARDO MIRANDA ZUNIGA, QUE, POR SUS CUALIDADES COMO MEDIOS DE COMUNICACION MASIVA, REAFIRMAN LA TRASCENDENCIA CULTURAL DEL SIGNO EN SU CONDICION FORMAL Y EN SUS POSIBILIDADES METAFORICAS. LA ENTRADA A LA EXPOSICION ES LIBRE. PARA MAYORES INFORMES INGRESAR A LA P GINA WWW.CECUT.GOB.MEX.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.001 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.020 | 0.014 |
| Scholarly communication | 0.005 | 0.002 |
| Open science | 0.001 | 0.004 |
| Research integrity | 0.001 | 0.003 |
| Insufficient payload (model declined to judge) | 0.010 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".