MétaCan
Menu
Back to cohort

An Homage to the Past

2017· book-chapter· en· W2762916658 on OpenAlexaboutno aff
Richard Jones‐Bamman

Bibliographic record

VenueUniversity of Illinois Press eBooks · 2017
Typebook-chapter
Languageen
FieldComputer Science
TopicMusic Technology and Sound Studies
Canadian institutionsnot available
Fundersnot available
KeywordsArtHistory

Abstract

fetched live from OpenAlex

This chapter and the one that follows (<italic>Chapter Five</italic>) draw on interviews with twenty-two banjo makers in the United States and Canada to explore the issues facing these individuals who strive to maintain their preferred connections with the old-time music community without losing sight of the artistic and personal motivations that drew them into this undertaking initially. Chapter Four is focused on those who create instruments most closely adhering to the common expectations of old-time banjo players, factors that include certain structural and design features as well as playability and tone production. What unites all of those in this chapter is the influence of the past on their own efforts, but how this is defined is quite different from one person to the next. For some, this means replicating existing instruments from a specific era or locale, and involves learning techniques that long ago passed from common practice. For others, the past is purely inspirational, providing ideas to be expanded upon and subject to new interpretation. The chapter concludes with a consideration of tone production, how this has changed in recent decades, and how banjo builders approach what is clearly a highly subjective topic. The builders profiled here include Kevin Enoch, Chuck Waldman, Wayne Sagmoen, Kevin Fore, Jason and Pharis Romero, Greg Galbreath and Brooks Masten.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.972
Threshold uncertainty score0.661

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.000
Scholarly communication0.0000.000
Open science0.0030.001
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.026
GPT teacher head0.209
Teacher spread0.183 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2017
Admission routes1
Has abstractyes

Explore more

Same venueUniversity of Illinois Press eBooksSame topicMusic Technology and Sound StudiesFrench-language works237,207