MétaCan
Menu
Back to cohort
Record W2767921359

The Endless Mobility of Listening

2016· article· en· W2767921359 on OpenAlexaboutno aff
SG Mc Laughlin

Bibliographic record

VenueWhite Rose Research Online (University of Leeds, The University of Sheffield, University of York) · 2016
Typearticle
Languageen
FieldComputer Science
TopicMusic Technology and Sound Studies
Canadian institutionsnot available
Fundersnot available
KeywordsAcousticsString (physics)Active listeningTimbreComputer sciencePhysicsMusicalArtTheoretical physicsVisual artsCommunication
DOInot available

Abstract

fetched live from OpenAlex

For violin (or other bowed string) and live electronics, variable duration (20-60mins); performed-installation or concert versions. Performances by Mira Benjamin in Sheffield, Vancouver, Victoria, London, Oslo, performed by Scott Mc Laughlin (cello) in Huddersfield. Commissioned by Mira Benjamin with funding from Britten-Pears foundation. This piece foregrounds the spectral properties of sound – the contour of its inner structures, flows, and weights – and reveals these material structures over slow time. [Musician] plays long drones on open strings, listening inside the spectrum of that sustained note and allowing the sound to gently split, like an acoustic prism. [Musician] shapes not the sound itself, but its possibilities, by encouraging the energy from the bow to flow more freely into unusual resonances of the string. [Musician's] listening is active and open, [their] bow gives the string opportunities to wander. [Musician's] inward spectral listening (listening inside the sound to its structures, flows, and forces) is projected outward by allowing the vibration to become metastable. The string has many possible stable states of vibration, not just the ‘ground’ (its given pitch and timbre) but also many different harmonics and multiphonics. This affords a dynamic sound percept, a process of listening in flux creates a performative sound in flux, moving between the singular and the multiple, solid pitch and refracted multiphonic states which overlap and co-exist. The revealed metastable sounds can be ephemeral and ghostlike, so this piece makes the compositional choice to ‘load the deck’ in two ways that ‘circumscribe’ the open-ness without sacrificing it. The E-string is detuned to B5 (-14c), whose strong octave harmonic (B6) matches the 5th harmonic within the spectrum of the G string. This creates a structural resonance in the piece that may allow a prominent B to emerge on some level; depending on indeterminate environmental conditions. Over the duration of the piece, open strings are periodically detuned to pitches that also contain B6, allowing different structures of resonance, different contours of material agency for [Musician] to surf. The ephemeral multiphonics are captured and looped by the electronics, freezing the sounds in memory as a growing carpet of coloured noise. The drone is sometimes interrupted by chorales of harmonics; brief interludes of solidity in a sea of flux.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.004
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.053
Threshold uncertainty score0.179

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.004
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.000
Science and technology studies0.0040.007
Scholarly communication0.0060.006
Open science0.0010.010
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0530.014

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.037
GPT teacher head0.249
Teacher spread0.213 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2016
Admission routes1
Has abstractyes

Explore more

Same venueWhite Rose Research Online (University of Leeds, The University of Sheffield, University of York)Same topicMusic Technology and Sound StudiesFrench-language works237,207