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Record W2769348251 · doi:10.36510/learnland.v8i1.673

Commentary: The Key to Arts Education: First Inspire the Teachers

2014· article· en· W2769348251 on OpenAlexvenueno aff
Michael Wilson

Bibliographic record

VenueLEARNing Landscapes · 2014
Typearticle
Languageen
FieldArts and Humanities
TopicArt Education and Development
Canadian institutionsnot available
Fundersnot available
KeywordsThe artsArts in educationPedagogyPsychologyKey (lock)Work (physics)Focus (optics)SociologyMathematics educationVisual artsArtEngineeringComputer science

Abstract

fetched live from OpenAlex

In this interview, Michael Wilson describes the focus of his work with generalist teacher candidates as motivating them to want to teach the arts. He does this by creating situations where the candidates can experience their creative or aesthetic nature. Dr. Wilson explains that the teachers have to believe that the experience itself is important, before they will want to have those kinds of experiences with their students. Another important concept he discusses is the idea that students have to be emotionally ready to learn and that part of the teacher’s role is to nourish that emotional readiness. He goes on to explain that many approaches that have been used in arts education for some time are now becoming more recognized in education in general.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.007
metaresearch head score (Gemma)0.050
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Commentary · Consensus signal: Commentary
Teacher disagreement score0.071
Threshold uncertainty score0.141

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0070.050
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0020.001
Bibliometrics0.0010.001
Science and technology studies0.0150.010
Scholarly communication0.0050.009
Open science0.0050.004
Research integrity0.0530.083
Insufficient payload (model declined to judge)0.0090.005

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.016
GPT teacher head0.236
Teacher spread0.220 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreCommentary

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2014
Admission routes1
Has abstractyes

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