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Record W2769775433 · doi:10.3366/drs.2017.0201

Liberated Women and Travesty Fetishes: Conflicting Representations of Gender in Parisian Fin-de-Siècle Music-Hall Ballet

2017· article· en· W2769775433 on OpenAlexaff
Sarah Gutsche-Miller

Bibliographic record

VenueDance Research · 2017
Typearticle
Languageen
FieldPsychology
TopicDiversity and Impact of Dance
Canadian institutionsUniversity of Toronto
Fundersnot available
KeywordsFin de siecleBalletMoresArtOperaTragedy (event)HumanitiesDanceArt historyLiteraturePolitical scienceLaw

Abstract

fetched live from OpenAlex

This article explores the multiple and often contradictory representations of women in Parisian music-hall ballets staged at the turn of the twentieth century as reflections of shifting conceptions of women's social roles in fin-de-siècle France. Music-hall ballets mirrored both the broadening of gender norms and the societal fears which accompanied these changing social mores; they helped reinforce shifting perceptions of women while simultaneously undermining them. Created at a rate of six or seven per year for fun-loving socialites, music-hall productions were as up-to-date as they were ephemeral, serving as an unusually direct theatrical barometer of middle- and upper-class Parisians’ tastes and values.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.033
Threshold uncertainty score0.065

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0030.003
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0030.001
Science and technology studies0.0110.035
Scholarly communication0.0100.003
Open science0.0010.006
Research integrity0.0020.002
Insufficient payload (model declined to judge)0.0050.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.185
GPT teacher head0.454
Teacher spread0.269 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations27
Published2017
Admission routes1
Has abstractyes

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