MétaCan
Menu
Back to cohort

Unimagining Song: Making Kin in the Vocal Scene

2017· article· en· W2773145599 on OpenAlexaboutno aff
Chris Tonelli

Bibliographic record

VenueYearbook for Traditional Music · 2017
Typearticle
Languageen
FieldArts and Humanities
TopicDiverse Musicological Studies
Canadian institutionsnot available
Fundersnot available
KeywordsUtteranceVariety (cybernetics)LinguisticsMeaning (existential)Context (archaeology)Perspective (graphical)AestheticsPsychologySociologyHistoryComputer scienceVisual artsArtPhilosophy

Abstract

fetched live from OpenAlex

The task set out for us in this curated section of the Yearbook is, from the perspective I present here, problematic. We are invited to consider utterances on the boundaries between speech and song, and I cannot help thinking that this is like being asked to consider bodies at the border between the air and Canada. Though the terms “speech” and “song” both have numerous meanings, speech generally refers to something relatively concrete: the use of the human voice to convey linguistic meaning. The term speech is like the term air; it refers to something intangible but still concrete. Song, on the other hand, is like Canada. It is a reification. How do we address the space between something concrete and something imagined? Song's borders lie at a variety of distinct perceived locations. Unlike with speech, we cannot objectively determine the line between song and non-song. Even if no one shares your sense of where the borders of song lie, no one has the authority to claim you are wrong. Others may be correct to deem your judgment as culturally inappropriate in a given context, but not objectively untrue. If I hear all speech as song, you cannot prove me wrong. If you see all running as dance, I have no solid ground to assert that it's not. We can quibble over intention and the importance of shared cultural conceptions, but ultimately there is no objectively verifiable way to confirm an utterance as song.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.025
Threshold uncertainty score0.085

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.000
Science and technology studies0.0040.004
Scholarly communication0.0040.007
Open science0.0010.002
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0250.006

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.578
GPT teacher head0.293
Teacher spread0.286 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2017
Admission routes1
Has abstractyes

Explore more

Same venueYearbook for Traditional MusicSame topicDiverse Musicological StudiesFrench-language works237,207