Bibliographic record
Abstract
Milan represented one of the main European economic and political centers throughout the late medieval and Renaissance period. The city’s enormous wealth lay on the rich agriculture of its hinterland, on its role as entrepôt between Italy and northern Europe, and on its celebrated manufactures. At the end of the 16th century, with a population of over 120,000 people, Milan ranked as the fourth largest European city. Since 1535, and until 1706, the Lombard capital also played a fundamental strategic role within the Spanish Empire, and between the 16th and 17th centuries was at the forefront of the Catholic Reformation under Carlo and Federico Borromeo. Despite its economic, political, and religious importance, however, Milan remains the least studied of the major Early Modern European cities. The origins of this historiographical neglect can be partially found in the negative connotation that has characterized the period of Spanish rule over the peninsula since the Italian Risorgimento, epitomized by the great novel I promessi sposi (The betrothed) (1827) by Alessandro Manzoni. The 17th century in particular was perceived as a period of general crisis that marked the political, economic, and cultural decline of Italy, and especially of the Spanish provinces. The Spanish Empire came in fact to represent a symbol of oppression, responsible for spreading feudalism, corruption, and conformity. Milan, as portrayed by Manzoni, was a city characterized by disease, poverty, riots, an oppressive nobility, and rapacious Spanish officials, and would epitomize for generations of Italians a dark age of their history. Besides paying the price of this anti-spagnolismo (anti-Spanish sentiment), Milan was also penalized by the bombings of the Second World War that ended with the destruction of a significant part of the city’s archival sources. With the exception of a few earlier isolated works, it is only in the 1980s that historians have shown signs of a renewed interest for the history of Milan in the 16th and 17th centuries, and only since the 1990s has the historiography of Early Modern Milan flourished.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.001 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.001 | 0.001 |
| Scholarly communication | 0.003 | 0.001 |
| Open science | 0.000 | 0.001 |
| Research integrity | 0.001 | 0.001 |
| Insufficient payload (model declined to judge) | 0.102 | 0.052 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".