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Record W2799533318 · doi:10.3138/cjfs.18.2.45

Buñuel: The Gag, the Auteur

2009· article· fr· W2799533318 on OpenAlexvenueno aff
Dominique Russell

Bibliographic record

VenueCanadian Journal of Film Studies · 2009
Typearticle
Languagefr
FieldArts and Humanities
TopicCinema History and Criticism
Canadian institutionsnot available
Fundersnot available
KeywordsArtHumanities

Abstract

fetched live from OpenAlex

Cet article se penche sur les gags visuels et sonores dans les films de Luis Buñuel, et plus précisément la relation qu’ils entretiennent avec la construction de l’image publique du réalisateur. À partir des travaux de Noël Carroll sur le gag visuel et ceux de Marijke de Valk sur la traduction du gag visuel au gag sonore, l’essai démontre que le gag dans l’oeuvre de Buñuel est « extradiégétique » et fonctionne comme une interruption de la diégèse attirant l’attention sur le réalisateur. Le mot « gag » évoque les clowns et l’esthétique du cinéma des attractions, et suggère la rupture du récit par le spectacle non narratif du comique. Je suggère qu’il puisse être très utile d’explorer cette idée en relation à Buñuel qui considérait que les bouffonneries des premiers clowns du cinéma étaient équivalentes au surréalisme.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.044
Threshold uncertainty score0.087

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0070.004
Scholarly communication0.0060.003
Open science0.0000.003
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0200.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.051
GPT teacher head0.256
Teacher spread0.205 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations2
Published2009
Admission routes1
Has abstractyes

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Same venueCanadian Journal of Film StudiesSame topicCinema History and CriticismFrench-language works237,207