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Record W2800926350 · doi:10.7202/1044443ar

Muances de l’écoute. À propos de L’homme sans passé d’Aki Kaurismaki

2018· article· fr· W2800926350 on OpenAlexvenueno aff
Loig Le Bihan

Bibliographic record

VenueRevue musicale OICRM · 2018
Typearticle
Languagefr
FieldSocial Sciences
TopicContemporary art, education, critique
Canadian institutionsnot available
Fundersnot available
KeywordsHumanitiesArtPhilosophy

Abstract

fetched live from OpenAlex

Au début de L’homme sans passé (Kaurismaki 2002), il est un plan « musicalisé » qui peut occasionner un étrange effet qu’on dira de monumentalisation. Afin de qualifier l’effet au plus juste, je proposerai d’abord un balisage systématique de différentes fonctions que la musique endosse régulièrement dans ce film « musical » – nommément des fonctions épique (au sens brechtien), pathétique et éthique (aux sens aristotéliciens). J’en viendrai enfin à la description de cette singulière « muance » dans mon écoute, occasionnée par ce plan monté à la toute fin d’une scène d’agression qui voit un pauvre homme, soudeur de métier, laissé pour mort. Une musique symphonique qui jusqu’ici émanait d’une petite radio portative acquiert soudainement l’ampleur d’une musique de fosse alors que l’image nous montre la lamentable dépouille négligemment recouverte de sa valise et de son masque. Donnée à entendre à pleine puissance la symphonie, alors, interfère avec l’image pour en constituer l’équivoque figurative.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Commentary · Consensus signal: none
Teacher disagreement score0.013
Threshold uncertainty score0.000

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.000
Science and technology studies0.0090.007
Scholarly communication0.0040.003
Open science0.0010.004
Research integrity0.0020.003
Insufficient payload (model declined to judge)0.0100.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.035
GPT teacher head0.313
Teacher spread0.278 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreCommentary

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

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Citations0
Published2018
Admission routes1
Has abstractyes

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Same venueRevue musicale OICRMSame topicContemporary art, education, critiqueFrench-language works237,207