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Kwaito’s Promise, Music, and the Aesthetics of Freedom in South Africa. 2016. Gavin Steingo. Chicago: University of Chicago Press. 320 pp., figures, photos

2017· article· en· 0 citations· W2804761397 on OpenAlex

Why is this work in the frame?

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

Canadian venueIt was published in a Canadian venue.

No Canadian affiliation. An affiliation-only frame — the usual design — would never have seen this work. It is one of the works that make the case for inverting the frame.

The three-model screen

all 1,000 screened works →

All three models called this out of scope.

stratum: venue_new · design weight: 2684.25 (the sample is stratified; any rate computed without the weight is wrong)
Claude Opus 4.8OUT
genre: editorial/commentary
about Canada: no
confidence: high

Book review of an ethnomusicology monograph.

GPT-5.6 (high)OUT
genre: editorial/commentary
about Canada: no
confidence: high

This is a book review about South African music and culture, not research itself.

Grok 4.5OUT
genre: editorial/commentary
about Canada: no
confidence: high

Music book notice/review about South African aesthetics, not metaresearch.

Abstract

No abstract. This is not a gap in this database — OpenAlex has none either. 23.3% of the frame is in this state, and the screen finds HALF as much metaresearch here, so the absence is a measured bias rather than a missing field.

The record

Venue
MUSICultures
Topic
South African History and Culture
Field
Social Sciences
Canadian institutions
Funders
Keywords
ArtArt historyHistoryTheologyPhilosophy
Has abstract in OpenAlex
no