Bibliographic record
Abstract
Playback Room (2017): Tate Modern gave a curated a collective listening talk on Women Sound Producers. http://www.tate.org.uk/whats-on/tate-modern/exhibition/wolfgang-tillmans-2017/playback-room-sessions Join us for a series of intimate listening seminars with selected artists “Playback Room” considers studio music as a distinctive art form and its recorded version as the pinnacle of many musicians’ production. This series of intimate listening seminars invites a range of artists to share and discuss their own selection of music and recordings that have been an important source of inspiration to their work and lives. Led by music and culture critic Laura Snapes, this event includes an out-of-hours opportunity to explore the Wolfgang Tillmans exhibition. Following 30 minutes of selected music our artists lead an hour-long conversation, all taking place within this major exhibition showcasing Wolfgang Tillmans’ expanded practice. Wolfgang Tillmans’ Playback Room is a space conceived by the artist specifically for listening to recorded music. While museums are dedicated to the contemplation of works of visual art and concert halls allow us to experience live music, no comparable venues exist where visitors can listen to music in its optimum sound quality. Programme Monday 20 February – with Throwing Shade Monday 27 February – with Magz Hall Monday 6 March – with Anna Meredith Monday 13 March – with Adam Buxton Monday 20 March – with Jeremy Deller Magz Hall is a sound and radio artist and senior lecturer at Canterbury Christ Church University UK. Magz heads the artist led group Radio Arts curating works for exhibition, broadcast, workshops and events. Works such as Tree Radio, Spiritual Radio, Dream Vessels, Dream Space, Babble Station, Radio Recall, Numbers, Radio Mind, Sound Train explore speculative futures of FM reflecting on a 100 years of international radio art practice, which cuts across sound art, radiophonics, music and installation. A founding producer of London’s Art station Resonance FM, her work has been exhibited at the Yorkshire Sculpture Park, British Museum, Tate Britain, the Sainsbury Centre, Whitechapel Gallery, V&A, Jerwood Visual Arts, MACBA Barcelona as well as in Denmark, Italy, Germany, Norway, Morocco, Canada, the USA and broadcast internationally.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.002 | 0.006 |
| Meta-epidemiology (narrow) | 0.002 | 0.001 |
| Meta-epidemiology (broad) | 0.001 | 0.001 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.004 | 0.001 |
| Scholarly communication | 0.004 | 0.002 |
| Open science | 0.002 | 0.006 |
| Research integrity | 0.002 | 0.003 |
| Insufficient payload (model declined to judge) | 0.824 | 0.571 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".