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Record W2903599406 · doi:10.4000/books.psn.7792

Chapitre III. Une composition en fuite

2011· book-chapter· fr· W2903599406 on OpenAlexaff
Françoise Palleau-Papin

Bibliographic record

VenuePresses Sorbonne Nouvelle eBooks · 2011
Typebook-chapter
Languagefr
FieldSocial Sciences
TopicDiverse Cultural and Historical Studies
Canadian institutionsDawson College
Fundersnot available
KeywordsPsychology

Abstract

fetched live from OpenAlex

This chapter examines the composition of the novel before comparing it to the structure of other works. Vollmann reiterates the opening of the novel several times in the course of the narration, to inscribe what he deems the loss of teleological order in history in his style and composition. An experience in disorientation, the novel takes up the poetic echo of the opening sentence “Walking south and south [...]” (3) several times, not only to stress that the English explorers and the contemporary American character Subzero are lost in time and space, as well as lost philosophically speaking, but also to indicate a reflection on the novel and a possible reading method. To walk south continuously within the Polar Circle means that one follows the course of the sun at all times of day in the summer. The redundancy of the expression “south and south” emphasizes the circularity of such a course and thus its endlessness. The novel uses the course of Phaeton as a structural topic. The son of the Sun in Greek mythology, Phaeton ran his father’s chariot so recklessly that he was struck by Zeus’s lightning. Like him, the explorer John Franklin and his contemporary avatar Subzero follow a course of Promethean defiance toward the fire of the sun, testing limits to great personal risk. Franklin loses his life, and Subzero endangers his sanity, and his life as well, when he stays on an isolated base at the North Pole.By returning to the opening of the novel at intervals, Vollmann structures the vertigo of the characters’ jumbled sensory perceptions in an extreme environment, for which they are ill-equipped in their quest for meaning. The syntax and the vocabulary reflect their desire to apprehend the otherness of polar experience on new terms, and their difficulty to do so in any argumentative manner, thus making way for a new poetics. In his other works, Vollmann also tends to use echoing structures, such as the palindrome composition in The Atlas (1996), or the leitmotivs that structure Imperial (2009), like so many burdens or refrains. Echoes, symmetry, mirroring composition and stylistic figures (such as the anadiplosis or the chiasmus) are the various ways he uses to suggest the depth of experience and an intuition of infinity. Structure marks the ultimate form of Vollmann’s lyricism, as his process of composition deliberately invites the reader to take part in the connecting game laid out by the echoing text, to become an active reader and a sharer of dreams.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.006
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.041
Threshold uncertainty score0.137

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.006
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0010.001
Science and technology studies0.0070.008
Scholarly communication0.0110.007
Open science0.0010.004
Research integrity0.0020.005
Insufficient payload (model declined to judge)0.0410.012

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.047
GPT teacher head0.239
Teacher spread0.192 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2011
Admission routes1
Has abstractyes

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