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Record W2904375600 · doi:10.3389/fpsyg.2018.02503

Balancing Performing and Teaching Roles: The Voice of Classical Singers

2018· article· en· W2904375600 on OpenAlexaff
Christina Raphaëlle Haldane

Bibliographic record

VenueFrontiers in Psychology · 2018
Typearticle
Languageen
FieldArts and Humanities
TopicDiverse Music Education Insights
Canadian institutionsUniversity of Toronto
Fundersnot available
KeywordsSingingPsychologyPerforming artsStudioSample (material)Exploratory researchField (mathematics)Applied psychologyMathematics educationPedagogyComputer scienceVisual artsSociologyManagement

Abstract

fetched live from OpenAlex

How do classical singers combine performing and teaching, two highly challenging and consuming careers? The life of a performer combines reward with intense challenging commitment. Furthermore, for the classical vocalist whose body is the instrument, maintaining good health is a priority. Teachers of singing have demanding roles, with the responsibility of guiding their students' vocal technique, in addition to providing inspiration, emotional support and career guidance. Moreover, their work can be taxing on their voices. There is research pertaining to musicians who balance teaching and performing, however the literature reviewed did not present a study which focused solely on classical singers who also teach, whose operatic engagements can be lengthy and travel-orientated. This gap in the literature provided an opportunity to contribute further to the field and examine the relationship between successfully balancing a performance and teaching career for classical vocalists. My aim was to explore: (1) how classical vocalists with extensive performance schedules maintain a commitment to their teaching studio; and (2) how teachers of singing who manage large private studios, and/or teach at high-level music institutions, balance performance careers with their responsibilities to their students. A phenomenological approach was selected for my exploratory study, using a qualitative method to devise an interview guide and analyze data. The procedure used for selecting the sample group was to invite participants representing a range of professional involvement in both teaching and performing. Diversity with regards to gender, base location and experience was also considered. Participants mainly responded via e-mail interviews. They were invited to discuss the following themes: balancing performing obligations with commitments to students, benefits of performing on pedagogy, and maintaining vocal health. Overall, participants felt that their performance experience was essential to their work in the teaching studio, with performing seen as a source of learning to be transmitted to students. On the other hand, for some, teaching was also seen as a source of learning, enhancing performances. Although demanding, the benefits of maintaining and enjoying both a teaching role and an active performing life were affirmed by participants. Attempting to balance both roles becomes a constant quest.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.004
metaresearch head score (Gemma)0.010
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.006
Threshold uncertainty score0.022

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0040.010
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0010.001
Science and technology studies0.0060.010
Scholarly communication0.0050.003
Open science0.0010.004
Research integrity0.0030.003
Insufficient payload (model declined to judge)0.0020.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.028
GPT teacher head0.283
Teacher spread0.254 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations14
Published2018
Admission routes1
Has abstractyes

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