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Record W2919946931

Pervasive Media and Eudaimonia: Transdisciplinary Research by Practice

2017· dissertation· en· W2919946931 on OpenAlex
J. H. Calderwood

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueDMU Open Research Archive (De Montfort University) · 2017
Typedissertation
Languageen
FieldSocial Sciences
TopicAsian Culture and Media Studies
Canadian institutionsnot available
Fundersnot available
KeywordsSociologyEudaimoniaEngineering ethicsEpistemologyData scienceComputer scienceEngineeringPhilosophy
DOInot available

Abstract

fetched live from OpenAlex

As mobile technologies and prolific digital media saturate and intrude upon daily reality for many people, this research practice provides an alternative pathway in which creative engagement with pervasive media offers a holistic experience of oneself in relation to the people, place and technologies of our time. This thesis introduces the concept of eudaimonia as creative well-being, in relation to pervasive media. The dual meaning of eudaimonia as an individual’s own right path of flourishing and as the good-daimon, muse or guardian who guides and inspires the action of walking such a path, highlights the tensions implicit in the work. Tensions that embrace user and author, inside and outside, urban and rural, movement and stillness – until a common ground of symmathesy occurs. Taking a transdisciplinary approach to this phenomenological enquiry, the work of community arts facilitation is brought into dialogue with Grove’s Clean toolkit, originally developed in the field of clinical psychology. The thesis is presented as a phenomenological text with online creative portfolio and appendices. Other artists’ works are described subjectively as part of the practice-based method. Research findings are presented in relation to themes of Space, Presence, Community and Iteration from which emerge the framework of creative practice and the researcher’s conceptual model of Anthroposensory Sculpture. Four public art projects were delivered with diverse communities, landscapes and foci of attention, from which a framework of creative practice is revealed that supports eudaimonic engagement with personal and collective, metaphoric and geographic landscape: Soundlines (2009-10, North Somerset, UK), Experimental Walks (2010-14, UK and Canada), Hunter Gatherer (2010-11, Yorkshire Dales, UK), Living Voices (2011-13 Wiltshire, UK). Through the Experimental Walks project, a Colour Grid methodology developed, that invites sensory noticing and notation, subsequently produced as iPhone app Hunter Gatherer (2011). This research which will be of value to researchers and practitioners seeking to understand engagement of people with place, media and technology. Pioneering in its use of Clean as an arts methodology, this research adds to a growing interest in Clean methodology for
\nresearch. The thesis contributes to ongoing debates about how to build a more caring society in which each individual can flourish; as such it will be of interest to others exploring the multiple dimensions of well-being and the use of emergent platforms for digital media and art.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.007
metaresearch head score (Gemma)0.005
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Science and technology studies, Research integrity
Consensus categoriesScience and technology studies
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.276
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0070.005
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0010.001
Science and technology studies0.0100.003
Scholarly communication0.0010.001
Open science0.0030.001
Research integrity0.0000.003
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.132
GPT teacher head0.466
Teacher spread0.334 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it