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Record W2920887753 · doi:10.3138/ctr.178.006

Performing the Game: Demystifying Live Action Role-Play (LARP)

2019· article· en· W2920887753 on OpenAlexvenueaboutno aff
David Owen

Bibliographic record

VenueCanadian Theatre Review · 2019
Typearticle
Languageen
FieldPsychology
TopicDiversity and Impact of Dance
Canadian institutionsnot available
Fundersnot available
KeywordsEthnographyMantraImprovisationPsychologyAction (physics)SociologyVisual artsArtAnthropology

Abstract

fetched live from OpenAlex

Focusing on the activities of LARGE (the Live Action Role-Playing Guild of Edmonton), several performance concepts are explored using the primary sources of five interview subjects and the author’s auto-ethnographic perspective on participating in LARPs in the Edmonton area. Some of these performance concepts are how LARP can be considered “improv in disguise,” how the use of rules systems both helps and hinders ideas of agency and immersion, and how issues of consent are essential to the success of creating a shared reality among diverse personalities. The article begins with an auto-ethnographic description of the LARP event Broken Covenant, which leads to explaining how LARGE began and how it differs from more well-known boffer LARPS. The article then drills down on the varied histories of the interview subjects and explores the concept of improvisation in LARP as ‘yes, but…,’ in comparison to the well-known improv mantra of ‘yes, and. …’ Agency and immersion are explored, leading to a discussion of emotional investment and, most important, consent. The article demonstrates that there is a vibrant and sophisticated LARP community in Edmonton (mostly transplanted from Saskatoon) creating performances in the non-traditional milieu of LARP.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.004
metaresearch head score (Gemma)0.004
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.178
Threshold uncertainty score0.354

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0040.004
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.001
Science and technology studies0.0030.014
Scholarly communication0.0040.002
Open science0.0020.004
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0030.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.034
GPT teacher head0.297
Teacher spread0.263 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designTheoretical or conceptual
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations9
Published2019
Admission routes2
Has abstractyes

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Same venueCanadian Theatre ReviewSame topicDiversity and Impact of DanceFrench-language works237,207