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Record W2948113405 · doi:10.20361/dr29443

Island Born by J. Díaz

2019· article· en· W2948113405 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueThe Deakin Review of Children s Literature · 2019
Typearticle
Languageen
FieldSocial Sciences
TopicLiteracy and Educational Practices
Canadian institutionsnot available
Fundersnot available
KeywordsGirlImmigrationDiversity (politics)Art historySociologyHistoryVisual artsArtPsychologyAnthropology

Abstract

fetched live from OpenAlex

Díaz, Junot. Island Born. Illustrated by Leo Espinosa, Dial Books for Young Readers, 2018.
 Island Born by Junot Díaz tells the story of a young girl named Lola, who learns about her heritage from her friends and family. Island Born is the first children's book by Dominican-American author and Pulitzer Prize-winner Junot Díaz, with illustrations by Leo Espinosa. Díaz has said that the story was inspired by his own experience of growing up as a Dominican child in America. Díaz effectively captures both the joys and adversities of life in a diverse urban community.
 The book begins with a refreshing bout of diversity, “Every kid in Lola’s school was from somewhere else ... hers was the school of faraway places.” When Lola’s teacher, Miss Obi, asks her students to draw a picture of the place they are from, Lola realizes she does not have any memories of the island where she was born. Miss Obi reassures Lola that there are other ways she can remember. She suggests Lola ask her friends and family to share their memories of the island. In doing so, Lola quickly learns about her family’s past, and the joys and struggles that are familiar to immigrant families.
 The images in this book harmonize with the text in a playful way that fully engages the reader in the story about the island. Colombian-born illustrator Leo Espinosa’s images celebrate the vibrancy and diversity of the immigrant community through the depictions of Lola’s classmates, and neighbourhood friends on her journey through self-discovery. Espinosa colourfully, and vibrantly mirrors the island Lola comes from in a lively manner. The story, however, takes a somber twist when Lola learns about the dark history of her nation. Nonetheless, the serious messages continue to be presented in a cheerful kid friendly manner due to Diaz’s choice to depict a serious political leader as a legitimate monster who terrorized the people on the island.
 Multicultural representation in children’s literature is vital; however, it is something that is lacking in the majority of classrooms. Classrooms are rapidly becoming more diverse, and Island Born reaches to this. Children learn powerful lessons about who is valued or devalued in society through the literature they are exposed to. When children are unable to find reflections of themselves in classroom literature, they internalize that they are not a valued member of society. However, Island Born offers a glimpse, whether it be through a mirror or a window, into the life as an immigrant student. When students are able to see something of themselves represented in classroom literature, they are able to connect back to and value their identity, culture, and experiences.
 Highly Recommended: 4 out of 4 starsReviewer: Kristin Robb
 Kristin is an After-Degree student in the Bachelor of Education program at the University of Alberta. Kristin has a passion for reading, and when she is not preoccupied with her studies you can find her volunteering in elementary school classrooms.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.646
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.006
GPT teacher head0.309
Teacher spread0.303 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it