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Record W2948375483 · doi:10.4324/9780203892787-6

Track 1 Hip Hop as Dusty Foot Philosophy

2008· book-chapter· en· W2948375483 on OpenAlexaboutno aff
Engaging Locality

Bibliographic record

Venuenot available
Typebook-chapter
Languageen
FieldArts and Humanities
TopicMusic History and Culture
Canadian institutionsnot available
Fundersnot available
KeywordsFoot (prosody)Track (disk drive)Physical medicine and rehabilitationHop (telecommunications)Computer scienceMedicineArtComputer networkLiterature

Abstract

fetched live from OpenAlex

When asked what he means by the Dusty Foot Philosopher (the title of his recent CD, which received a 2006 Juno Award for Rap Recording of the Year, and was nominated for the inaugural Polaris Music Prize), Somali-Canadian MC K’Naan explains that this is both how he sees himself and a broader image of global representation. When images of Africa are shown on charity television (the most common means by which people view Africa, he suggests), the camera always kind of pans to the feet, and the feet are always dusty from these kids. What they’re trying to portray is a certain bias connected to their own historical reasoning, and what I saw though instead, was that that child with the dusty feet himself is not a beggar, and he’s not an undignifi ed struggler, but he’s the dusty foot philosopher. He articulates more than the cameraman can imagine, at that point in his life. But he has nothing; he has no way to dream, even. He just is who he is. (K’Naan interview, April 25, 2004)1 In his track “For Mohamoud (Soviet)” he explains further: Dusty foot philosopher means the one that’s poor, lives in poverty but lives in a dignifi ed manner and philosophizes about the universe and talks about things that well-read people talk about, but they’ve never read or traveled on a plane. (K’Naan, 2005) K’Naan’s vision raises several key themes we wish to pursue here. By looking at Hip Hop as dusty foot philosophy, as both grounded in the local and the real, and capable of articulating a broader sense of what life is about, K’Naan is not only talking about localization, about the ways in which Hip Hop becomes a means for the local articulation of identity, but also about a deeper sense of locality. To have one’s feet in the dust is an image of localization that goes beyond appropriation of sounds, or references to local contexts. It speaks to a particular groundedness, a relationship to the earth that is about both pleasure and politics. To walk barefoot is to be located in a particular way. In his adopted home, Canada, the impossibility of walking barefoot makes him “feel like a foreigner.” By contrast, “walking on the sand with your bare feet is therapeutic, you feel the sun” (Interview). Far from being a trivial point only about the weather or sartorial politics, this is a much more signifi cant issue to do with the ways in which our histories, bodies, desires, and localities are intertwined.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.072
Threshold uncertainty score0.242

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0180.007
Scholarly communication0.0120.006
Open science0.0010.006
Research integrity0.0060.008
Insufficient payload (model declined to judge)0.0720.014

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.070
GPT teacher head0.203
Teacher spread0.133 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2008
Admission routes1
Has abstractyes

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