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Record W2953965421 · doi:10.4000/resf.2271

Science-fiction féministe, des œuvres aux fans

2019· article· fr· W2953965421 on OpenAlexaff
Hélène Breda

Bibliographic record

VenueReS Futurae · 2019
Typearticle
Languagefr
FieldSocial Sciences
TopicDigital Games and Media
Canadian institutionsMusée de la Civilisation
Fundersnot available
KeywordsArt

Abstract

fetched live from OpenAlex

Cet article porte sur les fandoms féminins et féministes de science-fiction entre la seconde moitié du vingtième siècle et les années 2010. Il a vocation à montrer que, bien que la SF ait souvent été considérée comme un domaine culturel à domination masculine (des auteurs aux publics, en passant par la représentation des personnages), de nombreuses lectrices et spectatrices se sont approprié le genre. J’ai tout d’abord replacé ce sujet dans une perspective historique, en expliquant que les fandoms féminins de SF ont été créés en opposition aux communautés d’écrivains et de fans hommes qui les rejetaient. En conséquence, les « fannes » ont dû organiser des activités quelque peu clandestines et produire leurs propres créations dérivées, telles que des fanzines de SF entièrement féminins. Ce faisant, elles mettent à profit le potentiel féministe spécifique à la science-fiction pour gagner en agentivité et pour diffuser des idées relatives aux droits des femmes. Dans la seconde partie de mon étude, à travers l’exemple de créations faniques inspirées par les œuvres d’Ursula K. Le Guin, Marion Zimmer Bradley et Margaret Atwood, je développe l’hypothèse selon laquelle ces productions (fanfictions, fanarts, objets divers) sont à la fois des outils d’empowerment féminin et des supports pour le militantisme féministe.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.004
metaresearch head score (Gemma)0.006
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.012
Threshold uncertainty score0.044

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0040.006
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.001
Science and technology studies0.0120.013
Scholarly communication0.0060.003
Open science0.0000.002
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0090.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.027
GPT teacher head0.313
Teacher spread0.286 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2019
Admission routes1
Has abstractyes

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