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Record W2955615234 · doi:10.1017/9781787441828.011

Je le temoin en mon chant: The Art of Diminution in the Petronian Triplum

2018· book-chapter· fr· W2955615234 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

Venuenot available
Typebook-chapter
Languagefr
FieldArts and Humanities
TopicMedieval European Literature and History
Canadian institutionsTrinity College
Fundersnot available
KeywordsNoveltyArtLiteraturePsychologySocial psychology

Abstract

fetched live from OpenAlex

ONE of the distinctive features of Montpellier fascicle 8's predominantly unica collection of motets is a seemingly innovative and even experimental tendency. The increased freedom of the triplum in the texture of three-voice writing was important to this. The composition of a new triplum for Mo 7,282 in Mo 8,330 is a clear indication of the centrality of such voice-parts to innovation. In some cases the stylistic novelty is apparent in the greater continuity of triplum phrases compared with the shorter-breathed statements of the lower voices (e.g. Mo 8,305 and 316); but the triplum may also move consistently faster than the lower voices (as in Mo 8,311). The extreme manifestation of the tendency is in the motets using the rhythmic and notational developments of Pierre de la Croix (Petrus de Cruce) (Mo 8,317, 332, and 338). In these motets the tenor is slowed down to move mostly in perfect longs, while the triplum is accelerated through the frequent use of short semibreves.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.928
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.001
Scholarly communication0.0000.000
Open science0.0010.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0100.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.024
GPT teacher head0.199
Teacher spread0.175 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Quick stats

Citations20
Published2018
Admission routes1
Has abstractyes

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Same topicMedieval European Literature and HistoryFrench-language works237,207