Experiments in Cultural Diplomacy: Music as Mediation in Canadian-Brazilian Relations (1940s-1960s)
Bibliographic record
Abstract
This thesis traces the origins of Canada’s cultural diplomacy by analyzing the role of music in Canadian-Brazilian relations from the early 1940s to the late 1960s. Brazil was the only country with which Canada had a cultural agreement at the time. Lacking experience in that realm, the Department of External Affairs let state and non-state actors on the ground lead the show. Those individuals (diplomats, artists, broadcasters, and Canadian capitalists, among others) had considerable leeway to put forward their own vision of Canada with the knowledge that national projection and national self-representation were part of the same feedback loop. Because they were conceived with both foreign and domestic audiences in mind, their experiments in musical diplomacy placed Canadians’ simultaneous search for a national and an international identity within a transnational context. Improvised as it was, this musical nation branding exercise was intertwined with a broad range of individual and collective agendas that cut across various combinations of political, business, religious, ethnic, linguistic, and even family ties. Latinity and Catholicism, but also métissage and family, were some of the dominant tropes that official and impromptu ambassadors employed to engage Brazilian publics. This process involved a reckoning with Brazil’s cultural and ‘racial’ difference that used musical genres (for example, ‘serious music’ as opposed to samba and jazz) to foreground ‘whiteness’ as the normative link between Canadians and Brazilians. As such, Canada’s plunge into the realm of musical diplomacy reflected and shaped where ‘white’ Canadians – whether francophones or anglophones – situated themselves vis-à-vis ‘others’ at home and abroad. ‘Race’ and empire, but also religion and gender, informed the musical nation branding efforts of this story’s protagonists. According to them, Brazil’s location on the periphery of the industrialized North made it an ideal place to experiment with the projection of Canada’s image abroad. It was the distant stage upon which internal (identity) politics and aspirations could be played out. \n \nBorrowing from Benedict Anderson’s work on nationalism and Georgina Born’s research on the mediating potential of music, this thesis is based on a broad range of sources (textual, audio, and visual) collected through multisite research: from Rio de Janeiro, São Paulo, and Brasília to Ottawa, Montreal, Toronto, Quebec City, and Halifax.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.004 | 0.008 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.001 | 0.002 |
| Science and technology studies | 0.017 | 0.009 |
| Scholarly communication | 0.003 | 0.001 |
| Open science | 0.001 | 0.003 |
| Research integrity | 0.001 | 0.002 |
| Insufficient payload (model declined to judge) | 0.010 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".