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Record W2965573709 · doi:10.7202/1062430ar

Le paradoxe du clavicorde et la technique de Bach au clavier

2019· article· fr· W2965573709 on OpenAlexvenueno aff
Christophe d’Alessandro

Bibliographic record

VenueRevue musicale OICRM · 2019
Typearticle
Languagefr
FieldComputer Science
TopicMusic and Audio Processing
Canadian institutionsnot available
Fundersnot available
KeywordsHumanitiesArt

Abstract

fetched live from OpenAlex

Le jeu du clavicorde demande un contrôle paradoxal : il faut abaisser la touche suffisamment vite pour produire un son suffisamment fort, mais aussi veiller à garder la justesse d’intonation, c’est-à-dire ne pas trop déplacer la corde. Les sources historiques sur le jeu du clavicorde dans le cercle de Jean-Sébastien Bach décrivent une technique de clavier (« tire » ou « Schnellen ») qui semble particulièrement adaptée au contrôle simultané de la vitesse et de la profondeur du toucher. Après une étude théorique qui établit les rapports entre mouvement de la touche, intensité sonore et intonation, une étude expérimentale mesure ces quantités pour un toucher « poussé », vertical et un toucher « tiré », avec retrait du bout du doigt vers l’intérieur de la main. Les résultats indiquent que le contrôle paradoxal demandé par la mécanique spécifique du clavicorde est avantageusement réalisé par le geste décrit dans les sources historiques (un mouvement de retrait circulaire du bout du doigt).

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.010
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.012
Threshold uncertainty score0.042

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0030.010
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.001
Bibliometrics0.0010.001
Science and technology studies0.0020.010
Scholarly communication0.0050.004
Open science0.0010.003
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0120.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.015
GPT teacher head0.264
Teacher spread0.250 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2019
Admission routes1
Has abstractyes

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Same venueRevue musicale OICRMSame topicMusic and Audio ProcessingFrench-language works237,207