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Record W2966140086 · doi:10.7202/1062150ar

Soyons réalistes, demandons l’impossible ! Courbet 68

2019· article· en· W2966140086 on OpenAlexvenueno aff
Frédérique Desbuissons

Bibliographic record

VenueRACAR Revue d art canadienne · 2019
Typearticle
Languageen
FieldSocial Sciences
TopicDiverse Cultural and Historical Studies
Canadian institutionsnot available
Fundersnot available
KeywordsSubversionPaintingBourgeoisieOpposition (politics)The ImaginaryArtPoliticsAllegoryArt historyRealismInterpretation (philosophy)Film directorLiteratureAestheticsPhilosophyPsychoanalysisLawMovie theaterPsychologyPolitical science

Abstract

fetched live from OpenAlex

Shot in 1967 and released in March 1968, by the young, engaged filmmaker Charles Belmont, Mood Indigo is a political interpretation of Boris Vian’s novel of 1947. The poetic world of Vian, mixing surrealism with jazz and symbolist literature, intersects in the film with references to 19th-century realist painting by Courbet and Millet. These appear as pictures on the walls, transformed into tableaux vivants, or as a personification of Courbet wandering in the landscape. Such paradoxical mobilization of realist painting, which professed to exclude the imagination, needs be considered as constituting a case of the reception of realism in the context of 1968. Over and beyond witnessing how “bourgeois” investments in the cultural heritage could be targeted on the part of militants of the extreme left, Mood Indigo contributes to the subversion of the traditional opposition between the real and the imaginary underlying the mythic graffiti “Be realistic, demand the impossible” that flourished on the walls of Paris that Spring.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.959
Threshold uncertainty score0.082

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0060.009
Scholarly communication0.0090.003
Open science0.0000.002
Research integrity0.0020.004
Insufficient payload (model declined to judge)0.0120.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.019
GPT teacher head0.231
Teacher spread0.212 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

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Citations0
Published2019
Admission routes1
Has abstractyes

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Same venueRACAR Revue d art canadienneSame topicDiverse Cultural and Historical StudiesFrench-language works237,207