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Record W2966546989

Behind the Low Originality of Chinese Reality TV Shows: Copyright Protection and Government Regulation for Localization

2019· article· en· W2966546989 on OpenAlexaboutno aff
Cheng Fan

Bibliographic record

VenueNorthwestern journal of technology and intellectual property · 2019
Typearticle
Languageen
FieldSocial Sciences
TopicAsian Culture and Media Studies
Canadian institutionsnot available
Fundersnot available
KeywordsOriginalityCopyright lawGovernment (linguistics)BusinessIntellectual propertyCopyright ActLaw and economicsLawPolitical scienceEconomicsCreativityPhilosophy
DOInot available

Abstract

fetched live from OpenAlex

What is the most popular TV program genre in China now? The answer is undoubtedly reality TV shows. There were more than 200 reality TV shows being put on air through Chinese satellite TV channels in 2015, which saw an outbreak of reality shows in China, and more than 400 in 2016. Rising together with the popularity of Chinese reality TV shows are claims of copyright infringement.\nMost of those reality shows do not owe their originality to domestic Chinese ideas, but are based on successful South Korean, American, and European formats. The production teams of some shows, like Daddy, Where Are We Going? and Keep Running, purchase Intellectual Property (IP) rights from the original production teams and produce the show with the advice and cooperation from the original teams. Others, however, copy ideas and easily recognizable formats from popular foreign shows directly, “[f]rom theme to general concept, to story structure, to flow and to the dynamics of the cast,” and stuff them with domestic celebrities and scenes.\nCriticizing some satellite TV channels as “too dependent on broadcasting foreign-inspired program[s]” with no original ideas, the State Administration of Press, Publication, Radio, Film and Television (SARFT) issued a directive, Directive About Strong Promotion of Innovation in Broadcasting and Television Programs (Directive), limiting the airing of foreign-produced and foreign-adapted TV programs that satellite broadcasters are allowed to import. Unsurprisingly, there was considerable skepticism toward the effect this government regulation would have on the market. In fact, plagiarized TV programs were said to have increased after the introduction of the Directive as more and more Chinese localized program producers simply changed the name of the program and claimed it was domestic and original.\nThe fact that the current regulation system does not provide an incentive to create original content does not mean that regulation per se is not a workable solution. More than twenty countries have some form of government regulation on TV programs to protect and promote local content. Among them, the local content rules in Australia and Canada are particularly valuable such that the Chinese government could adopt a similarly effective scheme. To resolve this problem, the current government regulation on what counts as Chinese/foreign content should be changed to a multi-factor evaluation system.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.772
Threshold uncertainty score0.197

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.018
GPT teacher head0.271
Teacher spread0.253 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2019
Admission routes1
Has abstractyes

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