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Record W2969643300 · doi:10.7202/1060123ar

Mélodie et orientalisme

2019· article· fr· W2969643300 on OpenAlexaffvenue
Sylvain Caron

Bibliographic record

VenueRevue musicale OICRM · 2019
Typearticle
Languagefr
FieldArts and Humanities
TopicCultural Identity and Heritage
Canadian institutionsUniversité de Montréal
Fundersnot available
KeywordsArtHumanities

Abstract

fetched live from OpenAlex

Au tournant du XXe siècle, les mélodies françaises représentent l’Orient comme un ailleurs merveilleux. Elles déclenchent un voyage imaginaire par un jeu de figures musicales évoquant souvent un univers riche en stimulations sensorielles (Les roses d’Ispahan de Leconte de Lisle/Fauré) ou en symbolisme érotisme (Trois chansons de Bilitis de Louÿs/Debussy). Or, dans la seconde décennie du siècle, l’Orient perd son aura évocatrice ; il devient plutôt l’élément déclencheur d’explorations avant-gardistes. Nourris par les découvertes musicologiques et par le développement des moyens de transport, les compositeurs deviennent plus sensibles à l’acte même de composer dans les cultures extra-européennes et au rapport au son qu’il implique. En choisissant le timbre musical comme moteur de la forme, ils créent de nouveaux paysages musicaux. C’est ainsi que les Quatre poèmes hindous de Delage et les Chansons madécasses de Ravel s’approprient l’Orient comme la source pure d’une humanité retrouvée, gage d’une authenticité artistique véritable.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.918
Threshold uncertainty score0.985

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0010.001
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0440.015

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.033
GPT teacher head0.238
Teacher spread0.205 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; both teacher heads agree on what is shown here.

Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations2
Published2019
Admission routes2
Has abstractyes

Explore more

Same venueRevue musicale OICRMSame topicCultural Identity and HeritageFrench-language works237,207