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Record W2970234108 · doi:10.15353/kinema.vi.1232

Czech Surrealism and Czech New Wave Realism

2011· article· en· W2970234108 on OpenAlexvenueno aff
Alison Frank

Bibliographic record

VenueKinema A Journal for Film and Audiovisual Media · 2011
Typearticle
Languageen
FieldArts and Humanities
TopicFrench Historical and Cultural Studies
Canadian institutionsnot available
Fundersnot available
KeywordsCzechRealismContext (archaeology)PoliticsArtSociologyLiteratureArt historyHistoryPolitical sciencePhilosophyArchaeologyLawLinguistics

Abstract

fetched live from OpenAlex

CZECH SURREALISM AND CZECH NEW WAVE REALISM: THE IMPORTANCE OF OBJECTS AbstractThis article examines a major difference between French and Czech Surrealism as exemplified by their attitudes to film. It engages in a close analysis of three films by documentary-influenced Czech New Wave directors whom the Prague Surrealist group admired: Miloš Forman, Ivan Passer and Jan Němec. The analysis focuses on the way in which objects in these films can take on multiple meanings depending on their context. It concludes that such objects suggest a broadening of possibilities in everyday life and in this respect correspond to both Surrealist goals and to the experience of living in a society in the process of political liberalization. The Paris Surrealist group's favourite Czech New Wave film was Věra Chytilová's highly experimental Sedmikrásky (Daisies, 1966); the Prague group, by contrast, preferred the documentary-style approach of Miloš Forman and Ivan Passer...

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.042
Threshold uncertainty score0.083

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0050.018
Scholarly communication0.0100.004
Open science0.0000.004
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0040.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.131
GPT teacher head0.251
Teacher spread0.120 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations2
Published2011
Admission routes1
Has abstractyes

Explore more

Same venueKinema A Journal for Film and Audiovisual MediaSame topicFrench Historical and Cultural StudiesFrench-language works237,207