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Record W2970832777 · doi:10.15353/kinema.vi.1014

The Cinema of Francesca Archibugi

2003· article· en· W2970832777 on OpenAlexvenueno aff
Flavia Laviosa

Bibliographic record

VenueKinema A Journal for Film and Audiovisual Media · 2003
Typearticle
Languageen
FieldSocial Sciences
TopicItalian Fascism and Post-war Society
Canadian institutionsnot available
Fundersnot available
KeywordsMovie theaterLiteratureAestheticsStyle (visual arts)ArtPassionsAmbivalencePoliticsSoulPhilosophyPsychoanalysisPsychologyEpistemologyLaw

Abstract

fetched live from OpenAlex

THEMES AND MOTIFS IN THE CINEMA OF FRANCESCA ARCHIBUGI THE Italian cinema of the 1980s and 1990s has been characterized by a new trend labelled carineria. Enrico Magrelli defines this style as a form of creative aphasia that tries to metabolize fragments of the commedia all'italiana. He maintains that it imitates "the aesthetics of the reality-shows and talk-shows by exploiting cliché family chronicles and illustrating a catalogue of human passions" (Zagarrio 13). The carino genre has produced nice and sentimental films, criticized for revealing the contemporary directors' inability to narrate ambivalent, mysterious images or enigmatic ideas. This kind of cinema, denigrated with euphemisms such as "dignified, evasive, and promising" (Vitti 235), shows a disinterest in the exploration of the world of the soul and the mind, and insists on the complete removal of serious topics like history, politics or memory. Critics have defined Archibugi's cinema as carino (Sesti 1994)...

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.029
Threshold uncertainty score0.058

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0040.003
Scholarly communication0.0020.001
Open science0.0000.001
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0050.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.020
GPT teacher head0.313
Teacher spread0.293 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2003
Admission routes1
Has abstractyes

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Same venueKinema A Journal for Film and Audiovisual MediaSame topicItalian Fascism and Post-war SocietyFrench-language works237,207