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Record W2971064226 · doi:10.15353/kinema.vi.1074

The Social Value of Filmed Arts Lives

2004· article· en· W2971064226 on OpenAlexvenueno aff
A. Mary Murphy

Bibliographic record

VenueKinema A Journal for Film and Audiovisual Media · 2004
Typearticle
Languageen
FieldArts and Humanities
TopicTheater, Performance, and Music History
Canadian institutionsnot available
Fundersnot available
KeywordsEntertainmentHistoricity (philosophy)NarrativeDirtValue (mathematics)ScholarshipThe artsArtVisual artsAestheticsLiteratureSociologyMedia studiesLawEngineeringPolitical scienceComputer science

Abstract

fetched live from OpenAlex

MODEL LIVES: THE SOCIAL VALUE OF FILMED ARTS LIVES Film has developed thus far as a medium either for entertainment or education, but seldom for both at once. The problem has been, not that educational entertainment is oxymoronic, but rather the limited vision of filmmakers. Biographical film has the generic potential to be a meeting place for the documentary demands of scholarship and the escapist or cathartic demands of audienceship. There is no reason that factual accuracy and historicity should be dull and dry as dirt; the difference is made in the telling - the Canterbury pilgrims understood that. Their Tales were to be judged on the narrative balance of solace and sentence, their ability simultaneously to delight and instruct. Lewis Lockwood makes two observations on this point, in his discussion of the film Immortal Beloved. He says that a "deep disdain, ill-concealed scorn, for mass audiences, is one...

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.006
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.015
Threshold uncertainty score0.033

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0030.006
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0130.040
Scholarly communication0.0150.009
Open science0.0010.008
Research integrity0.0020.003
Insufficient payload (model declined to judge)0.0080.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.030
GPT teacher head0.271
Teacher spread0.241 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2004
Admission routes1
Has abstractyes

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Same venueKinema A Journal for Film and Audiovisual MediaSame topicTheater, Performance, and Music HistoryFrench-language works237,207