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Record W2971122518 · doi:10.15353/kinema.vi.978

Between Monsoon Wedding and Behind Enemy Lines

2002· article· en· W2971122518 on OpenAlexvenueno aff
Rod Stoneman

Bibliographic record

VenueKinema A Journal for Film and Audiovisual Media · 2002
Typearticle
Languageen
FieldSocial Sciences
TopicItalian Fascism and Post-war Society
Canadian institutionsnot available
Fundersnot available
KeywordsAdversaryCrueltyHistoryLiteratureAsideArtLawComputer sciencePolitical scienceComputer security

Abstract

fetched live from OpenAlex

ALL GENERALISATIONS ARE FALSE: BETWEEN MONSOON WEDDING AND BEHIND ENEMY LINES To start at the end of Monsoon Wedding: hidden amongst the end credits, as a roller caption goes by, cutting to fast flashbacks of shots from the exhilarating musical finale, there is concealed amongst the lists of production personnel a three line note: "We are like that.40 locations 30 days.exactly and approximately." There are always the perverse pleasures of discovering a hidden code -- there at the edge of the text. (I remember the most radical aspect of Pier Paolo Pasolini's Salò, aside from the explicit sexual cruelty, was the bibliography he supplied in the end credits: Barthes, De Sade, Sollers). It is only cinephiles who stay in the emptying cinema for the credits and then amongst them only a tiny minority who would understand an obscure reference to the shoot schedule. "We are...

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.057
Threshold uncertainty score0.189

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0000.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.001
Science and technology studies0.0060.002
Scholarly communication0.0030.002
Open science0.0010.004
Research integrity0.0020.004
Insufficient payload (model declined to judge)0.0570.007

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.050
GPT teacher head0.325
Teacher spread0.275 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2002
Admission routes1
Has abstractyes

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Same venueKinema A Journal for Film and Audiovisual MediaSame topicItalian Fascism and Post-war SocietyFrench-language works237,207