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Record W2971206363 · doi:10.15353/kinema.vi.1072

Simulation in Cinema

2004· article· en· W2971206363 on OpenAlexvenueno aff
Temenuga Trifonova

Bibliographic record

VenueKinema A Journal for Film and Audiovisual Media · 2004
Typearticle
Languageen
FieldEconomics, Econometrics and Finance
TopicCinema and Media Studies
Canadian institutionsnot available
Fundersnot available
KeywordsMovie theaterArtificialityNarrativeResentmentArgument (complex analysis)RealismAestheticsReification (Marxism)Computer scienceVisual artsComputer graphics (images)ArtLiteratureEpistemologyPoliticsPhilosophyPolitical scienceLaw

Abstract

fetched live from OpenAlex

SPECIAL EFFECTS: SIMULATION IN CINEMA There are perhaps two main reasons for the resentment many film critics feel for special effects: first, special effects distract the viewer from the supposedly most substantial aspect of the film, narrative; second, special effects present a danger to what is assumed to be the essential realism of film. New digital technologies, so the argument goes, corrupt the purity of the filmic image: Image manipulation through external montage is one matter, in which shots are intercut for emotional or associative impact. But Digital Domain, ILM, and their brethren are creating a new sort of montage - montage within the frame, without the familiar warning, or ‘limit' signals we have been trained to look for (wipes, matte lines, differences in film stock grain, inaccurate image-sizing and other flaws). These visual clues alerted us to the artificiality and the constructed-ness of the manufactured image we see...

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.007
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.031
Threshold uncertainty score0.105

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.007
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0020.007
Scholarly communication0.0050.005
Open science0.0010.002
Research integrity0.0020.003
Insufficient payload (model declined to judge)0.0310.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.046
GPT teacher head0.289
Teacher spread0.243 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2004
Admission routes1
Has abstractyes

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Same venueKinema A Journal for Film and Audiovisual MediaSame topicCinema and Media StudiesFrench-language works237,207