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Record W2971215178 · doi:10.15353/kinema.vi.1183

The Role of the Unconscious in Marnie and Three Colours: Blue

2008· article· en· W2971215178 on OpenAlexvenueno aff
Veronica Johnson

Bibliographic record

VenueKinema A Journal for Film and Audiovisual Media · 2008
Typearticle
Languageen
FieldEconomics, Econometrics and Finance
TopicCinema and Media Studies
Canadian institutionsnot available
Fundersnot available
KeywordsUnconscious mindId, ego and super-egoAppealAction (physics)NarrativePsychoanalysisField (mathematics)AestheticsPsychologyPhilosophyArtLiteratureLawPolitical scienceMathematics

Abstract

fetched live from OpenAlex

THE ROLE OF THE UNCONSCIOUS IN MARNIE AND THREE COLOURS: BLUE The unconscious completely eludes that circle of certainties by which man recognises himself as ego. There is something outside this field which has every right to speak as I, and which makes this right manifest by coming into the world speaking as an I. It is precisely what is most misconstrued by the domain of the ego which, in analysis, comes to be formulated as properly speaking being the I.Jacques Lacan(1) Film excels at documenting the life of the ego. It is a medium which depends on the portrayal of the conscious actions of the protagonists for its appeal. The narrative of a film is unfolded through these actions. Anything which is "outside this field" of conscious action is more difficult to capture on film; thought processes, imaginings, dreams and wishes present filmmakers with...

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.006
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.010
Threshold uncertainty score0.025

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0030.006
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0090.042
Scholarly communication0.0080.011
Open science0.0010.004
Research integrity0.0030.007
Insufficient payload (model declined to judge)0.0060.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.023
GPT teacher head0.228
Teacher spread0.205 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2008
Admission routes1
Has abstractyes

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Same venueKinema A Journal for Film and Audiovisual MediaSame topicCinema and Media StudiesFrench-language works237,207