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Record W2972382496 · doi:10.1017/9781108589727.010

Relocating Jewish Culture in<i>The Yiddish King Lear</i>(1934)

2019· book-chapter· en· W2972382496 on OpenAlexaboutno aff
Jacek Fabiszak

Bibliographic record

VenueCambridge University Press eBooks · 2019
Typebook-chapter
Languageen
FieldArts and Humanities
TopicShakespeare, Adaptation, and Literary Criticism
Canadian institutionsnot available
Fundersnot available
KeywordsYiddishJudaismLiteratureArtQuarter (Canadian coin)Order (exchange)HistoryArt historyPhilosophyTheology

Abstract

fetched live from OpenAlex

The Yiddish King Lear , directed by Harry Tomashefsky in 1934, is an 80-minute American movie in Yiddish with English subtitles. It is based on a play in Yiddish ( Der Yudisher Kenig Lir ) by Jacob Gordin, a Russian Jewish playwright and poet, written in 1892. Its cultural significance lies in the play’s reviving Jewish theatre and the film’s contributing to the development of Yiddish cinema. Gordin rewrote Shakespeare’s play most probably in order to put Jewish theatre onto more serious tracks, whereas Tomashefsky revived it as part ‘of the Federal Theatre Project’s Yiddish Unit, created under a plan to put unemployed Yiddish actors back to work at the height of the Great Depression’ (Joel Schechter). The chapter tries to answer a number of questions linked with adaptation strategies concerning both Gordin’s play and Tomashefsky’s film: how does Shakespeare’s text inform the fictional world of the Jewish quarter in Vilna? How are tradition and change reflected in the film? What place does the film occupy in cinema in Yiddish? What status does the film enjoy in adaptation theory? Finally, what kind of Shakespeare derivative does it constitute?

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.125
Threshold uncertainty score0.248

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.000
Science and technology studies0.0140.010
Scholarly communication0.0030.001
Open science0.0000.003
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0020.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.036
GPT teacher head0.196
Teacher spread0.160 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2019
Admission routes1
Has abstractyes

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Same venueCambridge University Press eBooksSame topicShakespeare, Adaptation, and Literary CriticismFrench-language works237,207