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Record W2977333671

Henry VIII (All Is True)

2005· article· en· W2977333671 on OpenAlexaboutno aff
Justin Shaltz

Bibliographic record

VenueShakespeare bulletin · 2005
Typearticle
Languageen
FieldSocial Sciences
TopicIrish and British Studies
Canadian institutionsnot available
Fundersnot available
KeywordsQueen (butterfly)BuckinghamBishopsArt historyArtReignPoliticsStyle (visual arts)Performance artHenry IV, Holy Roman EmperorMajestyCoronationHistoryAncient historyLiteratureArchaeologyLaw
DOInot available

Abstract

fetched live from OpenAlex

Henry VIII (All is True) Presented by the Stratford Festival of Canada at the Festival Theatre, Stratford, Ontario. August 14-October 29, 2004. Directed by Richard Monette. Design by Ann Curtis. Lights by Kevin Fraser. Sound by Jim Neil. Choreographed by Shona Morris. With Graham Abbey (Henry VIII), Seana McKenna (Katherine), Stephen Russell (Norfolk), Thom Allison (Suffolk), Sara Topham (Anne Bullen), Raymond O'Neill (Buckingham), Ian Deakin (Thomas Lovell), Walter Borden (Wolsey), Keith Dinicol (Campeius), Brian Tree (Cranmer), and others. In directing Henry VIII, Richard Monette focused on the struggles between the three primary characters, and although he filled the stage with peripheral characters and attendants, he let them become a distraction, and he minimized potentially uninteresting scenes. The result was an absorbing study of political power struggles and religious reformation. Monette's production revolved around the interactions between Cardinal Wolsey, King Henry, and Queen Katherine, with the remainder of the cast of thirty-two along the sides or deep upstage. Elaborately costumed in traditional Tudor style, the noblemen wore heavy doublets and tunics of muted color, and the women wore long gowns and head-dresses. The clergymen were adorned in shades of red, the bishops in fiery scarlet robes, the cardinals a bit pinker, and clerics in yet a lighter shade. Monette's stage was crowded but busy, with lesser characters posed and merely ornamental, a courtly audience to the political conflicts. As the production began, the stage was adorned in gold drapery and orange-lit by candelabra. Walter Borden's Wolsey, slight and hunched but with a commanding croak of a voice, consistently deceived the King while disguising his own Macbeth-like ambition within religious vehemence. When Henry shredded the proposed taxation papers during 1.2, Wolsey slithered downstage to stage-whisper to a toady that the word be spread to the people that he had convinced the King to change his mind. Moments later, when Graham Abbey's robust Henry shouted, Break up the court! after demanding divorce from Katherine, Borden's Wolsey wrung his hands downstage center, round-eyed and scheming. The snakish performance drove the first act of the production, but when Wolsey was accused of cardinal sins and endured a chair violently overturned at his feet by his opponents, his humility was less than convincing. Borden's Wolsey let fly the inventory pages that incriminated him, but the magnificent never to hope again speech deserved more power--it has the majesty and tragedy of a man ambitious enough to wish to be Pope--than Borden's rasp as he slumped into a bench at the edge of the stage. …

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.827
Threshold uncertainty score0.995

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0140.006

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.018
GPT teacher head0.289
Teacher spread0.270 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; both teacher heads agree on what is shown here.

Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations2
Published2005
Admission routes1
Has abstractyes

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