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Record W2980145876 · doi:10.3138/ctr.180.006

The Theatre Feminist: A Manifesto

2019· article· en· W2980145876 on OpenAlexvenueaboutno aff
Darrah Teitel

Bibliographic record

VenueCanadian Theatre Review · 2019
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsManifestoPatriarchyFeminismPower (physics)CommunismSociologyGender studiesFeminist theoryAestheticsMedia studiesArtPolitical scienceLaw

Abstract

fetched live from OpenAlex

This manifesto passionately argues that theatre is not Feminist until it is transformative and unless it includes all of us. The Theatre Feminist is not a formula where you “just add women and stir.” It’s not just plays that are by, about, and for women. Feminist requires a fundamental shift in hierarchy and power that does not implicate people only individually and personally, but collectively and entirely. Its goal must be to overthrow cis-hetero-patriarchy, and there is no overthrowing patriarchy without overthrowing capitalism and racist colonial imperialism at the same time. As I explore the relationship between feminism and communism in this manifesto, and debunk some easy assumptions about the Theatre Feminist along the way, I ground my ideas in reflections on my play Behaviour, recently produced by the Great Canadian Theatre Company and SpiderWebShow. Behaviour demands a recognition of the audience’s gaze and complacency. It asks for action from the people in the audience who may not be victims or perpetrators of sexual assault and labour abuse. And it refuses to leave the audience feeling enriched and satisfied with themselves for having had their awareness raised.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.008
metaresearch head score (Gemma)0.005
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.689
Threshold uncertainty score0.626

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0080.005
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.004
Science and technology studies0.0090.010
Scholarly communication0.0110.003
Open science0.0010.003
Research integrity0.0020.003
Insufficient payload (model declined to judge)0.0120.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.020
GPT teacher head0.228
Teacher spread0.207 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2019
Admission routes2
Has abstractyes

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Same venueCanadian Theatre ReviewSame topicTheatre and Performance StudiesFrench-language works237,207