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Record W2989966931 · doi:10.5539/ells.v9n4p28

The Analysis of the Soundtrack to Baz Luhrmen’s Romeo and Juliet

2019· article· en· W2989966931 on OpenAlexvenueno aff
Lisa Yang

Bibliographic record

VenueEnglish Language and Literature Studies · 2019
Typearticle
Languageen
FieldArts and Humanities
TopicTheater, Performance, and Music History
Canadian institutionsnot available
Fundersnot available
KeywordsVisual artsPlot (graphics)Popular musicArtMusicalLiteratureSociologyMathematics

Abstract

fetched live from OpenAlex

Ian Inglis states in his book Popular music and film that music is the primary instrument for emotional direction in film. The soundtrack to Baz Lurhmen’s Romeo and Juliet includes a spectrum of genres including classical to popular music. The music used in the film both enhanced each scene as well as attract a wider audience. Through this, Luhrmen is able to re-reveal this classic story through a different medium. It is through the direction of the film which includes the music, visuals and plot thatjuxtaposesthe original dialogue that Lurhmen chooses to keep in film. This allows the audience to understand the film better as there are visual and musical cues. This medium also attracts a wider audience and makes the story more accessible and understandable. The objective of this article is to examine the effectiveness of popular music that is used in the film and how it helpsto enhance the storyline as well as make it more accessible to a wider audience.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.741
Threshold uncertainty score0.304

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.005
GPT teacher head0.210
Teacher spread0.205 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2019
Admission routes1
Has abstractyes

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