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Record W2990632543 · doi:10.4000/lisa.10968

Faire obstacle à la vérité et tromper les attentes : Hitchcock et Wilder comme on les connaît peu

2019· article· fr· W2990632543 on OpenAlex
Julie Michot

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueRevue LISA / LISA e-journal · 2019
Typearticle
Languagefr
FieldSocial Sciences
TopicLaw in Society and Culture
Canadian institutionsUniversité de Saint-Boniface
Fundersnot available
KeywordsHumanitiesArtHollywoodSurpriseArt historySociology

Abstract

fetched live from OpenAlex

Il est peu courant de comparer Hitchcock et Wilder, deux Européens d’origine ayant connu leur heure de gloire à Hollywood à une époque similaire, mais dont les thématiques et le style semblent très différents. Pourtant, ces réalisateurs ont bien plus en commun qu’on ne pourrait le croire. Leurs films impliquant une enquête policière ne sont jamais de simples divertissements et contiennent toujours une part importante de critique sociale. C’est le cas du Procès Paradine d’Hitchcock (1947) et de Témoin à charge de Wilder (1957), qui soulignent les failles du système judiciaire – anglais a priori, puisque chaque intrigue se déroule à Londres, bien qu’il soit évident que la dénonciation, plus globale, vise également le pays d’adoption des cinéastes, les États-Unis. Cet article s’attache à étudier les nombreuses similitudes de fond et de forme entre ces deux films singuliers – Hitchcock décidant de mêler la surprise au suspense, Wilder s’essayant aux méthodes d’Hitchcock –, et à analyser les différentes stratégies qui permettent aux réalisateurs de brillamment manipuler leur public.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Science and technology studies, Scholarly communication, Research integrity, Insufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.455
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0020.000
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0000.000
Science and technology studies0.0020.001
Scholarly communication0.0010.001
Open science0.0010.000
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0070.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.056
GPT teacher head0.318
Teacher spread0.262 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it