MétaCan
Menu
Back to cohort
Record W2992033695 · doi:10.17533/udea.affs.5325

El cuerpo travesti como urdimbre neobarroca y como desecho en la novela Cobra (1972) de Severo Sarduy.

2010· article· es· W2992033695 on OpenAlexaff
Andrés Arteaga

Bibliographic record

VenueRevista Affectio Societatis/Affectio Societatis · 2010
Typearticle
Languagees
FieldArts and Humanities
TopicCinema History and Criticism
Canadian institutionsUniversity of Ottawa
Fundersnot available
KeywordsBaroqueArtHumanitiesArt history

Abstract

fetched live from OpenAlex

En el presente trabajo analizaremos el lugar del cuerpo travesti como desecho y urdimbre en la novela Cobra (1972) del escritor cubano Severo Sarduy. En primer lugar haremos una breve diferenciación entre el barroco de Alejo Carpentier, Lezama Lima y el barroco de Sarduy a partir de algunos elementos conceptuales que da Sarduy sobre el neobarroco y el cuerpo en sus ensayos La Simulación (1982), Escrito sobre un cuerpo (1968) y Barroco (1974). Posteriormente mostraremos, a lo largo de la novela, cómo el estatus del cuerpo del personaje principal de la novela Cobra deviene un lugar de desecho, a partir de la conceptualización de Jacques Lacan sobre la letra (lettre) como desecho (litter) en el seminario Le Sinthome (1975).Palabras clave: Severo Sarduy, Lacan, barroco cubano, letra. THE TRANSVESTITE BODY AS NEO-BAROQUE LITTER AND WEAVE IN SEVERO SARDUY’S NOVEL COBRA (1972)AbstractIn the current work we will analyze the role of the transvestite body as litter and weave in Cuban writer Severo Sarduy's novel Cobra (1972). First, we will present a brief differentiation among Alejo Carpentier's, Lezama Lima’s, and Sarduy's baroque, from some conceptual elements given by Sarduy about the neo-baroque and the body in his essays La Simulación (1982), Escrito sobre un cuerpo (1968) and Barroco (1974). Subsequently, we will show how all along the novel the status of the main character’s body turns into a place of litter, from Jacques Lacan’s conceptualization about the letter (lettre) as litter in the seminar Le Sinthome (1975.)Key words: Severo Sarduy, Lacan, cuban baroque, letter. LE CORPS TRAVESTI COMME DÉCHET ET CHAÎNE NEOBAROQUE DANS LE ROMAN COBRA (1972) DE SEVERO SARDUY RésuméDans ce travail nous analyserons la place du corps travestido comme déchet et chaîne dans le roman Cobra (1972) de l’écrivain Cubain Severo Sarduy. D’abord, nous ferons une courte différenciation entre le baroque d'Alejo Carpentier, Lezama Lima et celui de Sarduy à partir de quelques éléments conceptuels que donne Sarduy sur le neobaroque et le corps dans ses essais La Simulation (1982), Escrito sobre un cuerpo (Écrit sur un corps) (1968) et Barroco (1974). Ensuite, nous montrerons comment le statut social du corps du personnage principal du roman Cobra devient un lieu de déchet, à partir de la conceptualisation de Jacques Lacan sur la lettre comme déchet (litter) dans le séminaire Le Sinthome (1975).Mots-clés: Severo Sarduy, Lacan, cuba baroque, lettre.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Science and technology studies, Scholarly communication, Research integrity, Insufficient payload (model declined to judge)
Consensus categoriesMeta-epidemiology (narrow), Science and technology studies, Research integrity, Insufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.619
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0030.001
Meta-epidemiology (narrow)0.0020.002
Meta-epidemiology (broad)0.0020.002
Bibliometrics0.0000.001
Science and technology studies0.0050.003
Scholarly communication0.0040.001
Open science0.0010.000
Research integrity0.0020.005
Insufficient payload (model declined to judge)0.0040.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.008
GPT teacher head0.261
Teacher spread0.253 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; both teacher heads agree on what is shown here.

Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2010
Admission routes1
Has abstractyes

Explore more

Same venueRevista Affectio Societatis/Affectio SocietatisSame topicCinema History and CriticismFrench-language works237,207