El cuerpo travesti como urdimbre neobarroca y como desecho en la novela Cobra (1972) de Severo Sarduy.
Bibliographic record
Abstract
En el presente trabajo analizaremos el lugar del cuerpo travesti como desecho y urdimbre en la novela Cobra (1972) del escritor cubano Severo Sarduy. En primer lugar haremos una breve diferenciación entre el barroco de Alejo Carpentier, Lezama Lima y el barroco de Sarduy a partir de algunos elementos conceptuales que da Sarduy sobre el neobarroco y el cuerpo en sus ensayos La Simulación (1982), Escrito sobre un cuerpo (1968) y Barroco (1974). Posteriormente mostraremos, a lo largo de la novela, cómo el estatus del cuerpo del personaje principal de la novela Cobra deviene un lugar de desecho, a partir de la conceptualización de Jacques Lacan sobre la letra (lettre) como desecho (litter) en el seminario Le Sinthome (1975).Palabras clave: Severo Sarduy, Lacan, barroco cubano, letra. THE TRANSVESTITE BODY AS NEO-BAROQUE LITTER AND WEAVE IN SEVERO SARDUY’S NOVEL COBRA (1972)AbstractIn the current work we will analyze the role of the transvestite body as litter and weave in Cuban writer Severo Sarduy's novel Cobra (1972). First, we will present a brief differentiation among Alejo Carpentier's, Lezama Lima’s, and Sarduy's baroque, from some conceptual elements given by Sarduy about the neo-baroque and the body in his essays La Simulación (1982), Escrito sobre un cuerpo (1968) and Barroco (1974). Subsequently, we will show how all along the novel the status of the main character’s body turns into a place of litter, from Jacques Lacan’s conceptualization about the letter (lettre) as litter in the seminar Le Sinthome (1975.)Key words: Severo Sarduy, Lacan, cuban baroque, letter. LE CORPS TRAVESTI COMME DÉCHET ET CHAÎNE NEOBAROQUE DANS LE ROMAN COBRA (1972) DE SEVERO SARDUY RésuméDans ce travail nous analyserons la place du corps travestido comme déchet et chaîne dans le roman Cobra (1972) de l’écrivain Cubain Severo Sarduy. D’abord, nous ferons une courte différenciation entre le baroque d'Alejo Carpentier, Lezama Lima et celui de Sarduy à partir de quelques éléments conceptuels que donne Sarduy sur le neobaroque et le corps dans ses essais La Simulation (1982), Escrito sobre un cuerpo (Écrit sur un corps) (1968) et Barroco (1974). Ensuite, nous montrerons comment le statut social du corps du personnage principal du roman Cobra devient un lieu de déchet, à partir de la conceptualisation de Jacques Lacan sur la lettre comme déchet (litter) dans le séminaire Le Sinthome (1975).Mots-clés: Severo Sarduy, Lacan, cuba baroque, lettre.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.001 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.004 | 0.007 |
| Scholarly communication | 0.003 | 0.002 |
| Open science | 0.000 | 0.002 |
| Research integrity | 0.001 | 0.002 |
| Insufficient payload (model declined to judge) | 0.006 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".