An Aesthetic Analysis of the Artistic Conception in Zhang Yiqing's Documentary/ANALYSE ESTHETIQUE DE L'INSPIRAITON DES DOCUMENTAIRES DE ZHANG YIQING
Bibliographic record
Abstract
Abstract: Since televised documentaries began to popularize in China in 1990s, their artistic value has gradually exposed to people's attention. This paper studies the artistic conception of documentaries by analyzing the representative works of Zhang Yiqing. It mainly discusses the key points about artistic conception in Chinese traditional aesthetic and philosophy; the narrative style of Zhang Yiqing's documentaries(the theme, structure, and details) and the philosophical argument content; the television language(the commentary, off-screen voice, music, and stunts) using in his documentaries, and also its reference significance to traditional documentaries. Key words: artistic conception; Zhang Yiqing; documentary Resume: Le documentaire televisuel prend l'essor depuis les annees 1990. Des lors, le documentaire dont la valeur esthetique se revele de jour en jour tire l'attention du grand public. J'ai choisi l'oeuvre de Zhang Yiqing comme exemple pour etudier l'esthetique de l'inspiration du documentaire. Cet essai traite principalement : des opinions essentielles issues de la recherche esthetique et philosophique sur l'inspiration ; les moyens de narration du documentaire de Zhang tels que le theme, la structure, les details et la philosophie ; l'utilisation du langage televisuel du documentaire de Zhang comme le commentaire, la voix off, la lumiere et le truquage ; l'influence sur le document traditionnel. Mots-Cles: inspiration, Zhang Yiqing, documentaire The value of documentary lies in recording the history, reflecting the reality and enlightening the future. The artistic value of documentary has gradually exposed and people have been paying close attention to it. The theory of documentary has fallen to an extreme since 1990s: the restoration of the material reality. Many more people consider it as a direct recording, and a documentary is only a simple copy of an event. The human theme and the study of human is the topic of art. If life is only to delineate, it will certainly lose vitality. Only if the documentary style break away from the pure purpose of documentary and seek the sublimated artistic conception, can it achieve eternal artistic value. Zhang Yiqing, now the documentary director of Hubei Television Station, is famous for the creativity, aesthetic features and abundant humanism in his documentaries. The diary on the red carpet, Set out for a long journey, the director, the world of Zhou, and Ying and Bai have won many prizes both at home and abroad. By studying these works, we can find the narration, structure, editing, techniques using in documentaries and the relationship between the thoughts and artistic conception creation the writer wants to express, we can also find out the ways of expressing the beauty of artistic conception so as to draw some rales and instructions for the future documentary production. 1. A BRIEF ANALYSIS OF ARTISTIC CONCEPTION Visual culture and its aesthetic phenomenon constitute the main part of the present culture; they exist everywhere in our time. The beauty of pictures is an important factor of visual aesthetics. As far as Chinese aesthetic interest is concerned, the beauty of a picture closely relate with its artistic conception. No matter it is a movie or a picture of a sop opera or of an advertisement, the sense of artistic conception is the main factor of its artistic charm. Chinese traditional aesthetic thoughts of artistic conception are that artistic conception is a kind of beauty out of words and out of pictures. As for the form styles of beauty, it is elegant, simple fresh, and delicate. As for the ways of expression, it is wining and reserved. As for the relationship between form and content, it is feelings come from forms, images, and words, spiritual content weighs more than forms. As for the features of people's feeling it gives, it can't be digested over once but seems has permanent flavors. …
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.002 | 0.002 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.002 | 0.002 |
| Science and technology studies | 0.004 | 0.006 |
| Scholarly communication | 0.003 | 0.002 |
| Open science | 0.001 | 0.002 |
| Research integrity | 0.001 | 0.002 |
| Insufficient payload (model declined to judge) | 0.004 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".