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Record W2994728529 · doi:10.3138/cjfs.28.2.2019-0038

Film as Event: Becoming-Other in Béla Tarr’s <i>Damnation</i>

2019· article· fr· W2994728529 on OpenAlexvenueno aff
Naeem Nedaee

Bibliographic record

VenueCanadian Journal of Film Studies · 2019
Typearticle
Languagefr
FieldArts and Humanities
TopicPhilosophy, Ethics, and Existentialism
Canadian institutionsnot available
Fundersnot available
KeywordsDamnationHumanitiesArtPhilosophyLiterature

Abstract

fetched live from OpenAlex

Damnation (Béla Tarr, 1988) se signale par un rendu esthétique d’un caractère particulier qui dépasse l’étroite perspective historique et s’ouvre sur celle de l’immanence temporelle. Les images sombres, sordides et lugubres du film ne représentent pas le monde réel, ni ne visent la métaphysique sous-jacente. Elles dénotent, en fait, un effort créatif pour capter le simple événement, la formation d’un mouvement de déplacement dans lequel le monde, l’image et le spectateur s’entrecroisent dans un état constant de devenir. En ce sens, le film met en scène une confrontation directe avec les possibilités virtuelles de la vie et contribue à l’imagination d’une réalité plus profonde. À la lumière de la conceptualisation de Gilles Deleuze de l’image-temps ou l’image-cristal, l’auteur avance que Damnation s’appuie sur une vision holistique du réel et du créatif pour établir une relation excessive-intensive avec l’extérieur.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.037
Threshold uncertainty score0.073

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0080.019
Scholarly communication0.0080.006
Open science0.0010.004
Research integrity0.0020.004
Insufficient payload (model declined to judge)0.0050.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.059
GPT teacher head0.289
Teacher spread0.230 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2019
Admission routes1
Has abstractyes

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Same venueCanadian Journal of Film StudiesSame topicPhilosophy, Ethics, and ExistentialismFrench-language works237,207