← all works
L’aura du futur antérieur: la postmodernité et la fin de l’histoire
Why is this work in the frame?
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Canadian affiliationAn author listed a Canadian institution. This is the only route the usual frame has.
Canadian venueIt was published in a Canadian venue.
The three-model screen
all 1,000 screened works →All three models called this out of scope.
stratum: french · design weight: 1554.47 (the sample is stratified; any rate computed without the weight is wrong)
Claude Opus 4.8OUT
genre: conceptual
about Canada: no
confidence: high
Essay on postmodernity, cinema and the end of history; humanities theory.
GPT-5.6 (high)OUT
genre: conceptual
about Canada: no
confidence: high
This analyzes postmodernity and filmic representations of history, not research itself.
Grok 4.5OUT
genre: conceptual
about Canada: no
confidence: high
Film/cultural theory on postmodernity and history; not research practice.
Abstract
Cet article analyse la comparaison que proposait Bill Readings entre l’objet-film comme représentation moderniste d’une histoire voulue universelle, et le temps cinématographique fragmenté et discontinu comme expérience postmoderne déconstruisant le grand récit de l’histoire positiviste.
Stored with the screening record, where it is evidence for the labels above.
The record
- Venue
- Surfaces
- Topic
- French Historical and Cultural Studies
- Field
- Arts and Humanities
- Canadian institutions
- Université de Montréal
- Funders
- —
- Keywords
- HumanitiesArtPhilosophy
- Has abstract in OpenAlex
- yes