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Erotic Words, Sacred Landscapes, Ideal Bodies: Love and Death in the Song of Songs

2019· other· en· W2995906367 on OpenAlexaff
Francis Landy

Bibliographic record

VenueA Companion to World Literature · 2019
Typeother
Languageen
FieldArts and Humanities
TopicBiblical Studies and Interpretation
Canadian institutionsUniversity of Alberta
Fundersnot available
KeywordsPoetryLiteratureMysticismPatriarchyImmortalityVirtueArtMotif (music)Ideal (ethics)AestheticsPhilosophyHistorySociologyGender studiesTheologyEpistemology

Abstract

fetched live from OpenAlex

Abstract The Song of Songs, composed probably in the third century bce , is one of the most influential poems in the Western erotic and mystical traditions, by virtue of its appearing in the Bible. It is a dialogue between two lovers in an idyllic pastoral landscape, seemingly without relation to the rest of the sacred text. It is, however, a critique of the biblical tradition, whose implicit question is: what was it all worth? For the Song, the answer is that love alone guarantees an ambiguous immortality. It is thus a tacit counter to Ecclesiastes' refrain that everything is illusory. I discuss the instability of gender in the Song and its questioning of patriarchy, to create a vulnerable maternal space for lovers' intimacy. This space is that of the poetic imagination, which is more real than the everyday world. The metaphors coalescence with the sound patterns of the Song to generate a synthesis of the body, the landscape, history, and the fauna and flora of ancient Israel.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.294
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.015
GPT teacher head0.235
Teacher spread0.220 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations3
Published2019
Admission routes1
Has abstractyes

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