MétaCan
Menu
Back to cohort
Record W2997486514

Michael Chekhov : Teaching (Acting) in a Foreign Land

2011· article· en· W2997486514 on OpenAlexaboutno aff
Liisa Byckling

Bibliographic record

VenueDOAJ (DOAJ: Directory of Open Access Journals) · 2011
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsArt
DOInot available

Abstract

fetched live from OpenAlex

Born in St.Petersburg in 1891, Michael Aleksandrovich Chekhov died 64 years later in the United States (1955 in Los Angeles). A nephew of the playwright Anton Chekhov and a member of the Moscow Art Theatre’s First Studio where the Stanislavsky system was forged, Chekhov had a celebrated acting career in Moscow. The Russian Revolution of 1917 and evolving communist cultural policy, however, forced him to leave his homeland. As an exile in Germany, France, Latvia, Lithuania England, New York and Los Angeles, he established a series of acting studios in which he tried to bring to artists in other countries and in other parts of the world new insights into the system developed by his own master, Konstantin Stanislavsky, along with a range of approaches to acting that was clearly his own. The adventures he had communicating this Russian style of work in English to artists working with him from across Europe, the United States, Canada and from as far away as Australia at a time when the Stanislavsky system was just becoming known was a source of linguistic frustration for him over the years as well as a source of linguistic frustration. What follows is a look at Michael Chekhov’s life and work across these many borders written by Chekhov specialist Liisa Byckling of Finland.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.019
Threshold uncertainty score0.063

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0000.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0050.002
Scholarly communication0.0030.002
Open science0.0000.002
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0190.005

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.329
GPT teacher head0.489
Teacher spread0.160 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2011
Admission routes1
Has abstractyes

Explore more

Same venueDOAJ (DOAJ: Directory of Open Access Journals)Same topicTheatre and Performance StudiesFrench-language works237,207