MétaCan
Menu
Back to cohort
Record W3036264027 · doi:10.3138/ecf.32.4.599

In Want of Keeping: Painting and the Sympathetic Imagination of <i>Frankenstein</i>

2020· article· en· W3036264027 on OpenAlexvenueno aff
Kirsten Martin

Bibliographic record

VenueEighteenth-Century Fiction · 2020
Typearticle
Languageen
FieldArts and Humanities
TopicVisual Culture and Art Theory
Canadian institutionsnot available
Fundersnot available
KeywordsSympathyNarrativeHarmony (color)PaintingAestheticsFrame (networking)LiteratureTerm (time)ArtPhilosophyPsychologyArt historyVisual artsComputer scienceSocial psychology

Abstract

fetched live from OpenAlex

The term “keeping” is central to conceptions of novelistic sympathy in Mary Shelley’s Frankenstein (1818). A painterly term that refers to an artist’s ability to distinguish between prominent and subordinate figures, keeping offers Shelley a model for aesthetically managed harmony. I engage with the term’s resonances with historically related terms, namely William Hazlitt’s concept of gusto, to argue that Shelley employs keeping to elicit readerly sympathies. It is the frame narrative in particular that carries out the regulatory function of keeping by organizing the novel’s disparate pieces. Her treatment of the Creature offers the most substantial instantiation of this dynamic. While he wants for keeping as Victor’s creation, overwhelming other characters with his discordance, the frame narrative subordinates his physicality so that sympathizing with him becomes manageable for Shelley’s readers. By attributing the sympathetic success of Frankenstein to keeping, I situate Shelley in an aesthetic tradition that sees sympathy as a result of the artist’s own careful aesthetic management.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.861
Threshold uncertainty score0.220

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.015
GPT teacher head0.209
Teacher spread0.194 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designTheoretical or conceptual
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2020
Admission routes1
Has abstractyes

Explore more

Same venueEighteenth-Century FictionSame topicVisual Culture and Art TheoryFrench-language works237,207