Chesney Zegura, Elizabeth. Marguerite de Navarre’s Shifting Gaze: Perspectives on Gender, Class, and Politics in the Heptaméron
Bibliographic record
Abstract
comptes rendus 219 melody is clearly audible throughout and would easily have called to mind, in those who knew them, festive processions and solemn Eucharistic devotions.Tierno shows how the impact of this melody was gradually altered by means of a German language version of the text, now free of any mention of transubstantiation; and the function of the Missa itself was altered through incorporation into official Lutheran worship services.Thus, a piece of music that did not look promising at all from the point of view of Reformation theological controversy (even if composed by Luther's favourite composer) could yet be retained and reimagined-as a kind of musical spoil of the Egyptians.Alongside the concern for music used in divine praise (whether in church or at home), a couple of chapters present developments in the theory of music.Hyun-Ah Kim's chapter on musica humana shows how the tradition of musical contemplation flowing from Boethius could become a rich spiritual discipline in the Swiss Reformation.Inga Mai Groote demonstrates the afterlife of Melanchthon's theorizing on the affective properties of music in the work of theologian and pedagogue David Chytraeus (1530-1600).The book is handsomely produced and comes with a generous supply of images-usually pages from manuscripts or printed books-and tables.Musical examples are fewer and well introduced and explained.It is regrettable that a book as rich in data as this should have no index; admittedly, some readers, or their institutions (mine not among them), may choose to invest in the ebook, which will make tracking of names and places easier.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.004 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.001 | 0.003 |
| Science and technology studies | 0.009 | 0.008 |
| Scholarly communication | 0.007 | 0.008 |
| Open science | 0.002 | 0.004 |
| Research integrity | 0.004 | 0.005 |
| Insufficient payload (model declined to judge) | 0.031 | 0.005 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".