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Record W3036472721 · doi:10.3138/ctr.183.015

A Sonic Sampling, a Nuancing of Space: Theoretical Insights and Elaborations on the Acoustic and Spatial ‘Turns’

2020· article· en· W3036472721 on OpenAlexvenueno aff
Natalia Esling

Bibliographic record

VenueCanadian Theatre Review · 2020
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsSpace (punctuation)Audience measurementSound (geography)SociologyRelation (database)Visual artsEpistemologyAestheticsArtComputer scienceAcousticsAdvertising

Abstract

fetched live from OpenAlex

This review critically engages with Susan Bennett’s Sound and Kim Solga’s Space—inaugural books in the authors’ co-edited series, Theory for Theatre Studies. It outlines key aspects of both books, evaluating their contribution to the fields of theatre and performance studies in terms of pedagogy and research. Sound and Space effectively foreground diverse theories specific to their topics. Working across disciplines and in relation to theatre and performance, both offer a number of case studies to elucidate theoretical approaches. As rigorous and foundational texts that illuminate discourses and practices around the ‘auditory turn’ and the ‘spatial turn,’ Sound and Space prompt readers to extend their thinking across theories, genres, disciplines, and time periods. Written accessibly for a wide readership—students, practitioners, researchers, teachers—these books inspire innovative thinking about sound and space in the theatre and in everyday life. Readers are directed to additional resources, including digital materials, encouraging further exploration and engagement with these topics.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.007
metaresearch head score (Gemma)0.011
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: Theoretical or conceptual
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.059
Threshold uncertainty score0.116

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0070.011
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0060.006
Science and technology studies0.0040.025
Scholarly communication0.0090.008
Open science0.0020.003
Research integrity0.0020.004
Insufficient payload (model declined to judge)0.0040.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.031
GPT teacher head0.240
Teacher spread0.209 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designTheoretical or conceptual
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations4
Published2020
Admission routes1
Has abstractyes

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Same venueCanadian Theatre ReviewSame topicTheatre and Performance StudiesFrench-language works237,207