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Record W3037343501 · doi:10.1353/nin.2017.0010

Here's the Pitch: The Amazing, True, New, and Improved Story of Baseball and Advertising by Roberta J. Newman

2017· article· en· W3037343501 on OpenAlexvenueno aff
Mark McGee

Bibliographic record

VenueNine · 2017
Typearticle
Languageen
FieldArts and Humanities
TopicAmerican Sports and Literature
Canadian institutionsnot available
Fundersnot available
KeywordsAdvertisingAmateurArtMedia studiesHistorySociologyBusiness

Abstract

fetched live from OpenAlex

Reviewed by: Here's the Pitch: The Amazing, True, New, and Improved Story of Baseball and Advertising by Roberta J. Newman Mark McGee Roberta J. Newman. Here's the Pitch: The Amazing, True, New, and Improved Story of Baseball and Advertising. Lincoln: University of Nebraska Press, 2019. 352 pp. Cloth, $34.95. When I read a book, I want to be able to say I learned something new. In the case of Roberta J. Newman's Here's the Pitch: The Amazing, True, New and Improved Story of Baseball and Advertising I came away with a great deal of knowledge about the relationship between baseball and advertising I did not previously possess. Newman serves as a literary version of former professional pitcher Ted "Double Duty" Radcliffe. Newman takes us back to the mid-nineteenth century and carries us through today's world of advertising using baseball. Along the way she provides a fascinating history of advertising as well as the history of baseball players in the promotions field ranging from cigarette cards to television. This is an impeccably researched volume. It could have been a dry textbook approach to the world of advertising, but Newman avoids such boredom with unique background stories and perspectives as the advertising world and the players involved have changed with the times. At a time when many are concerned about the history of baseball on the professional level, Newman provides example after example of how advertising campaigns using baseball players have helped promote the game just as the players promote various products. Newman traces baseball's involvement with the advertising field with examples from Honus Wagner, Babe Ruth, Ty Cobb, Mickey Mantle, Yogi Berra, Willie Mays. Derek Jeter, Rafael Palmeiro, and David "Big Papi" Ortiz. While the advertising world is star-driven, Newman points out the first baseball advertising was, by necessity, designed for fans who attended games. We have seen advertising go from signs in the outfield to sponsors for virtually [End Page 271] every aspect of the game including calls to the bullpen and seventh inning stretches. But again, it is all about the players and their faces and personas. While striving not to give away all the surprising and interesting insights Newman provides, it is necessary to point out some of the background behind the players involved. Newman's approach takes the long-standing premise that advertising reflects culture and expands by pointing out advertising also creates culture. She provides several examples where baseball and advertising have worked together to provide a revealing view of American culture. Two former players, who would eventually own teams—Alfred Goodwill Spalding and A. J. Reach—had their names tied to baseball publications as well as to official baseballs for the National and American Leagues, respectively. Some were more reluctant in allowing the use of their names and likenesses. Honus Wagner was well-known for his disdain of the use of his likeness on cigarette cards. Ty Cobb was even more vehemently opposed to tobacco use in general and refused to promote the use of tobacco in advertisements, separating him from many of his baseball contemporaries. Unlike today, the names and likenesses of baseball players in the early 1900s were often used without their permission and without pay. But many have earned more than their share of money through their promotional work. Babe Ruth may have been known for his ability to hit home runs on the field, but he was equally as proficient in going for the fences in the world of advertising. Yogi Berra used his personality as well as his ability to spout off-the-wall observations into advertising gold. He refused, however, to promote a product he did not personally use. His popularity as a pitchman extended into this century. Mickey Mantle and Willie Mays played against type crying for their Maypo. The Miller Brewing company changed the image of its Lite beer from a brand designed originally for female drinkers to one for all beer lovers through the use of athletes and sports personalities such as George Steinbrenner and Billy Martin arguing which was better, "Tastes Great" or "Less Filling". In a reflection of the effect of baseball-related advertising the...

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How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.004
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.053
Threshold uncertainty score0.176

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.004
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0010.001
Science and technology studies0.0020.001
Scholarly communication0.0070.005
Open science0.0010.002
Research integrity0.0020.004
Insufficient payload (model declined to judge)0.0530.042

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.009
GPT teacher head0.207
Teacher spread0.198 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

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Citations0
Published2017
Admission routes1
Has abstractyes

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