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Record W3038685990 · doi:10.1111/jwip.12162

Nollywood phenomenon: “The Nollywood phenomenon: Innovation, openness, and technological opportunism in the modeling of successful African entrepreneurship”

2020· article· en· W3038685990 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.
fundA Canadian funder is recorded on the work.

Bibliographic record

VenueThe Journal of World Intellectual Property · 2020
Typearticle
Languageen
FieldBusiness, Management and Accounting
TopicPrivate Equity and Venture Capital
Canadian institutionsUniversity of Ottawa
FundersSocial Sciences and Humanities Research Council of CanadaInternational Development Research Centre
KeywordsPhenomenonEntrepreneurshipOpenness to experienceFilm industryEntertainmentSociologyPolitical sciencePolitical economyLawSocial psychologyEpistemologyHistoryMovie theaterPsychology

Abstract

fetched live from OpenAlex

Abstract The Nigerian movie industry, known as Nollywood, has attracted an impressive degree of research interest since its debut in the 1990s, resulting in a dedicated transdisciplinary research niche called Nollywood studies. Nollywood is situated as disruptive of historic and contemporary African movie culture, underscoring Nollywood's significance as a phenomenon “fundamental to Africa's self‐representation.” In this study, we examine Nollywood in relation to its collaborative model of innovation, its unique form of openness and other factors implicated in its creative diffusion as a phenomenon across Africa and its diaspora. We also explore Nollywood's emergence as an unexpected creative force in the world of entertainment. The study evaluates the evolutionary interface between technology and entrepreneurship as a dynamic process in the progress and transformation of Nollywood. Complementing the issue of technology, as a factor in Nollywood's evolution, the study identifies a complex aggregation of other factors, including culture, ethnicity, marketing and entrepreneurial ingenuity, liberal art infrastructure and Nigeria's abundant social capital and how they have coalesced to put entertainment alongside oil and agriculture as one of the highest employers of labour and as a surprising dispenser of economic oxygen in Africa's most populous country and its largest economy. Our starting premise is that Nollywood owes its evolution to technological innovation and many unexplored contextual contingencies. The study also identifies and examines forms of openness in Nollywood, within and outside of existing paradigms, and how they factor into the industry's success. Nollywood operates in a fluid borderline between formal and informal frameworks. In Nollywood, a pragmatic and evolving approach to intellectual property systems and openness reflects aspects of its unique business model with contextual sensitivity and, in a way, advances its transnationalisation, albeit counter intuitively. Nollywood represents a grassroots indigenous entrepreneurial cultural initiative. Our project provides insights into the scalability potential of the Nollywood phenomenon and its cross‐sectoral ramifications for innovation and entrepreneurship on the African continent. The study applies a combination of methodological strategies aimed at eliciting, reifying and drawing substantively on industry practitioners’ voices and perspectives. It taps into stakeholders’ mastery, institutional history, and knowledge of Nollywood's evolution and its modus operandi.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.302
Threshold uncertainty score0.386

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0030.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.003
Science and technology studies0.0000.000
Scholarly communication0.0000.001
Open science0.0010.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.080
GPT teacher head0.233
Teacher spread0.153 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it