Bibliographic record
Abstract
The Commission Mixte of the Repertoire International d'Iconographie Musicale (RIdIM) met four times in the business year of 2010-11. These meetings took place on 10 April 2010 in Paris and on 27 November 2010 in London as well as on 21 July 2011 in Salvador (Brazil) and on 28 July 2011 in Dublin. Most of the daily business during this year was processed through e-mail communication. In addition the RIdIM Database Sub-Committee met on 30 April and 1 May 2011 to determine the guidelines for the future database project and discuss necessary business in respect of this matter. The International RIdIM Center The international center of RIdIM was hosted by the Institut d'histoire de l'art (INHA) from 2006 to 2010. In September 2010 the agreement between INHA and RIdIM ended. Because of significant changes within the academic policy of INHA, RIdIM not only considered renewal of the contract with INHA but also evaluated alternative options. We are very grateful to the Institute for Musical Research (IMR) of London University for having offered not only a new space to RIdIM with great conditions but also for providing a wonderful space focusing on interdisciplinary research in which RIdIM fits perfectly. I would like to express my gratitude to INHA for having given a warm home to RIdIM for over four years and to Florence Getreau and Jean-Michel Nectoux for having successfully negotiated this option for RIdIM. The warm hospitality RIdIM experienced during its time in Paris was also mirrored in the generous farewell party the institute organized in April 2010. I would also take this opportunity to thank Chloe Dalesme, our past Paris-based Administrator. Our new address and contact details at IMR are posted on the website with the URL www.ridim.org. During this transitory period we have also appointed Debra Pring as new RIdIM Administrator and because of the greater responsibility of the Administrator's position we have changed the position's title to Executive Director. I would like to express my heartfelt gratitude to Debra and John Irving who is serving as Director of IMR on the Commission Mixte of RIdIM, for their commitment for and support of RIdIM. Although we left Paris with tears in our eyes, the Commission Mixte is full of hope of the new opportunities the move may cause. One of these opportunities is a more active presence of RIdIM within the international community within which London University's School of Advanced Study (including such schools as The Warburg Institute) is well-established. On 7 November 2011 RIdIM is organizing by an invitation of IMR a study day focusing on iconography and musical performance. The RIdIM website: www.ridim.org As already mentioned, since the move to London, the RIdIM website has been significantly updated Please do not hesitate to contact it. Emails via the site or to RIdIM directly are answered within 48 hours. The RIdIM database As reported, RIdIM was able to present a testing database in 2009 at the IMAL meeting in Amsterdam. Further testing and evaluation unfortunately proved that this testing database has not fulfilled the requirements. The Commission Mixte therefore decided to apply for major grants to guarantee professional development. I am pleased to inform you that we were able to acquire such a major grant that put us in the comfortable situation to contract a professional database developer. Richard Brown, our contractee has extensive experience of musical documentation because of his involvement in RILM. I would like to thank Richard for having accepted our offer and to Zdravko Blazekovic and Laurent Pugin for having supported and advised me during the negotiation process. Richard has committed himself to a very strict work plan and time schedule so that we are confident to be able to substitute the old RIdIM database with a much more effective and professional version next year. I am very much looking forward to presenting our results at your next annual meeting in Montreal in 2012. …
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.003 | 0.008 |
| Meta-epidemiology (narrow) | 0.001 | 0.001 |
| Meta-epidemiology (broad) | 0.001 | 0.001 |
| Bibliometrics | 0.005 | 0.004 |
| Science and technology studies | 0.002 | 0.002 |
| Scholarly communication | 0.011 | 0.005 |
| Open science | 0.002 | 0.006 |
| Research integrity | 0.002 | 0.003 |
| Insufficient payload (model declined to judge) | 0.246 | 0.100 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".