RIdIM (Repertoire International d'Iconographie Musicale)
Pourquoi ce travail est dans la base
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Notice bibliographique
Résumé
The Commission Mixte of the Repertoire International d'Iconographie Musicale (RIdIM) met four times in the business year of 2010-11. These meetings took place on 10 April 2010 in Paris and on 27 November 2010 in London as well as on 21 July 2011 in Salvador (Brazil) and on 28 July 2011 in Dublin. Most of the daily business during this year was processed through e-mail communication. In addition the RIdIM Database Sub-Committee met on 30 April and 1 May 2011 to determine the guidelines for the future database project and discuss necessary business in respect of this matter. The International RIdIM Center The international center of RIdIM was hosted by the Institut d'histoire de l'art (INHA) from 2006 to 2010. In September 2010 the agreement between INHA and RIdIM ended. Because of significant changes within the academic policy of INHA, RIdIM not only considered renewal of the contract with INHA but also evaluated alternative options. We are very grateful to the Institute for Musical Research (IMR) of London University for having offered not only a new space to RIdIM with great conditions but also for providing a wonderful space focusing on interdisciplinary research in which RIdIM fits perfectly. I would like to express my gratitude to INHA for having given a warm home to RIdIM for over four years and to Florence Getreau and Jean-Michel Nectoux for having successfully negotiated this option for RIdIM. The warm hospitality RIdIM experienced during its time in Paris was also mirrored in the generous farewell party the institute organized in April 2010. I would also take this opportunity to thank Chloe Dalesme, our past Paris-based Administrator. Our new address and contact details at IMR are posted on the website with the URL www.ridim.org. During this transitory period we have also appointed Debra Pring as new RIdIM Administrator and because of the greater responsibility of the Administrator's position we have changed the position's title to Executive Director. I would like to express my heartfelt gratitude to Debra and John Irving who is serving as Director of IMR on the Commission Mixte of RIdIM, for their commitment for and support of RIdIM. Although we left Paris with tears in our eyes, the Commission Mixte is full of hope of the new opportunities the move may cause. One of these opportunities is a more active presence of RIdIM within the international community within which London University's School of Advanced Study (including such schools as The Warburg Institute) is well-established. On 7 November 2011 RIdIM is organizing by an invitation of IMR a study day focusing on iconography and musical performance. The RIdIM website: www.ridim.org As already mentioned, since the move to London, the RIdIM website has been significantly updated Please do not hesitate to contact it. Emails via the site or to RIdIM directly are answered within 48 hours. The RIdIM database As reported, RIdIM was able to present a testing database in 2009 at the IMAL meeting in Amsterdam. Further testing and evaluation unfortunately proved that this testing database has not fulfilled the requirements. The Commission Mixte therefore decided to apply for major grants to guarantee professional development. I am pleased to inform you that we were able to acquire such a major grant that put us in the comfortable situation to contract a professional database developer. Richard Brown, our contractee has extensive experience of musical documentation because of his involvement in RILM. I would like to thank Richard for having accepted our offer and to Zdravko Blazekovic and Laurent Pugin for having supported and advised me during the negotiation process. Richard has committed himself to a very strict work plan and time schedule so that we are confident to be able to substitute the old RIdIM database with a much more effective and professional version next year. I am very much looking forward to presenting our results at your next annual meeting in Montreal in 2012. …
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,001 | 0,001 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,001 | 0,003 |
| Communication savante | 0,001 | 0,001 |
| Science ouverte | 0,001 | 0,001 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,079 | 0,004 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle